Willis
Falls
INT - BEAUTY
SALON - DAY
ANGELA and her
mother BETTY are in the beauty parlor. Angela is
a very fat woman in her mid-30’s and the
hairdresser, FLO, is giving her a hairdo that
looks ridiculous on her.
FLO
You’re
going to look ravenous with this knew
cut, Angela. This Catherine Deneuve
hairstyle is just perfect for you.
Believe me, Frank will find you
irresistible tonight.
ANGELA
(loud
enough for all
the
women to hear)
Oh,
that’s all I need, Flo, another
excuse for him to want to play. He can’t
keep his hands off me now as it is.
INT -
MOTHER’S CAR - DAY
Angela
and Betty in car.
BETTY
That
hairdo looks stunning, Ang.
ANGELA
Really,
Mom? You think he’ll like it?
BETTY
Oh, he’ll
love it. I’m sure of it.
ANGELA
I hope
so. I really do. Oh, by the way, Mom,
could we stop at the liquor store
before you drop me off. I wanna get a
bottle of Beaujolais for dinner.
BETTY
What
are you making, Hon?
ANGELA
One of
Frank’s favorites -- blueberry
crepes.
BETTY
Whoa
boy! Frank is going to think he’s in
Paris tonight. French wine, a French
dinner, and a pretty wife with a
stylish new French cut. He’ll be in
heaven.
ANGELA
I hope so.
INT - FRANK’S
OFFICE - RECEPTION AREA - DAY
A simply
decorated, very unimpressive office reception
area. On the file cabinet is a small fishbowl
with two goldfish. FRANK (a man in his late 40’s)
and co-worker (JIM MOORE) are leaving. DARLENE,
the homely receptionist, is at her desk.
JIM
Frank,
do you want to come over to my place
after work and see that new Luger
pistol I picked up.
FRANK
No can
do, Jim. Angela will be at home with a
new hairdo and dinner ready. I have to
be there to make a big to-do about the
new coif. What about tomorrow?
JIM
The
in-laws will be over tomorrow, so we
can’t meet at the house.
FRANK
Look,
tomorrow afternoon I’m taking the
car to Fred’s to be fixed. Maybe we
could meet at the diner while Fred is
working on the car.
JIM
Tell
you what. I have to get my hair cut.
How about if we meet at Tony’s? Say
around 2:00.
FRANK
Two o’clock it
is.
FRANK
Bye,
Darlene. See you Monday.
DARLENE
Have a
good weekend, Mr. Lloyd.
INT - LLOYD’S
KITCHEN - EVENING
FRANK
(coming in
back door)
Hi, Ang. I’m
home.
ANGELA
(enters
room wearing a black
dress, heals and
pearls)
Hi, Honey.
Angela goes over
and gives him a kiss.
FRANK
Whoa,
what is this? What is this vision of
loveliness that has come to greet me?
What a beautiful hairdo. No, no,...
not beautiful, ...enchanting.
ANGELA
Do you
mean that? Do you really like it? I
hope you like it, I did it just for
you.
FRANK
How
could I not like it. It is so, ...so,
..so European,... so,..
FRANK
(CONTINUED)
so,
sophisticated. How did you ever think
of it? Or was it Flo?
ANGELA
No, I
found it. It is exactly like the
hairstyle Catherine Deneuve is
wearing, in Paris, right now. The
latest issue of Vogue came yesterday
and I saw her in it.
FRANK
Only
you know something?
ANGELA
What?
FRANK
She
doesn’t look half as beautiful in
this hairstyle as you do. I’m sure
of it.
ANGELA
Oh,
Frank. You’re such a liar. You just
say those things. You don’t mean it,
I know you don’t.
FRANK
Oh,
yes I do, Dumpling. You look
absolutely stunning in this hairdo.
Believe me, every other man in Willis
Falls would give his left nut to be in
my shoes.
ANGELA
Oh,
Frank. You’re so crude, you devil.
They kiss again.
FRANK
Mmmm.
That delightful smell? Dinner ready?
ANGELA
It
will be in five minutes. Your favorite
- blueberry crepes.
FRANK
Terrific.
Aunt Jamima’s crepes?
ANGELA
You
bet. Only I couldn’t get frozen
blueberries for them. I had to get
fresh berries. That OK?
FRANK
I’ll
be so captivated by your new hairstyle
that I’ll barely notice if they are
blueberries or strawberries, fresh or
frozen.
ANGELA
Oh,
you flatterer. Well, hurry up and
change your clothes.
INT - BEDROOM -
EVENING
Frank is taking
off his suit.
INT - LLOYD
KITCHEN - EVENING
Angela is
putting dinner on the table as Frank enters
kitchen wearing jeans and T-shirt.
FRANK
Ahhh,
I see we’ve got some vino to go with
dinner. French vino, I dare say?
ANGELA
Of
course. Would I give you anything
else?
FRANK
(opening wine
bottle)
Do you want ice,
Honey?
ANGELA
Naw.
The bottle was in the freezer for 30
or 40 minutes, so it should be cold by
now.
Frank pours the
wine as Angela sits down. For wine glasses, they
use grape jelly glasses covered with cartoon
figures.
FRANK
Let me propose a
toast.
Angela,
with a coy smile, holds up her glass .
FRANK
A toast
to the woman, the wife, who belongs to
the luckiest man alive.
ANGELA
(eating up the
flattery)
Oh, Frank, you’re
such a phoney.
They
start to eat, not talking for awhile.
ANGELA
Honey,
you were a little late tonight. I was
getting worried.
FRANK
The
darn car again. Took me fifteen
minutes to get the damn thing started
at the Food Mart.
ANGELA
Damn.
I hope Fred gets the new parts soon.
FRANK
Oh, he
called me today. Says he has the
parts, but he can’t put them in
until the end of next week.
ANGELA
My
god. I swear it is more difficult to
get an appointment with Fred than with
the plumber.
FRANK
Yep.
But he’s got us over a barrel. Fred’s
is the only auto repair shop for miles
that is willing to work on a Peugeot.
ANGELA
Well,
that’s the price we pay for
sophistication. It’s our one luxury.
Well,... the car and the fortune you
spend on guns are our luxuries.
FRANK
But
don’t forget, Ang, the guns increase
in value as time goes on. The Peugeot,
on the other hand, is worth less and
less each year.
ANGELA
(at the point of
tears)
You
know the Peugeot is important to me,
Frank. Why do you always want to
complain about it?
FRANK
No,
no, Hon. I wasn’t complaining. I
wasn’t complaining, Sweety. I like
the Peugeot. It’s just that, you
know, you were saying how hard it is
to get time with Fred. I was just
pointing out that Fred has us over a
barrel ‘cause no one else will
repair the car, that’s all.
ANGELA
Oh.
Well, like I said, that is the price
we pay for sophistication. You may not
know it, but half the people in this
town are green with envy ‘cause we
own a Peugeot.
FRANK
But
wouldn’t they be just as jealous if
we owned a Renault? Fred says it is
easier to get Renault parts.
ANGELA
I’ve
told you before, the Renault is the
car for the French common people. You
know that. Belmondo, Genieve Bujeauld,
Gerard Depardieu, the President of
France -- they all own Peugeots, not
Renaults.
FRANK
Yeah,
but all those people own lots of cars.
It doesn’t matter to them if the car
breaks down ‘cause they just take
one of their other cars.
ANGELA
Exactly.
‘Cause they are those kind of
people. Do you want some more crepes,
Dear?
FRANK
Sure, but just a
few.
Angela serves
Frank three more pancakes and herself six. Frank
pours another glass of wine each.
ANGELA
(while
sitting down)
What
did you pick up at Food Mart?
FRANK
Oh,
bad news. I stopped to pick up some of
that French bottled water you like.
They’re still out. The manager said
the company may stop distributing to
this area.
ANGELA
Oh no.
What will we do?
FRANK
Well,
I told Billy that if he gets any more
of the stuff he should let me know. If
he doesn’t, we’ll just have to buy
U.S. bottled water.
ANGELA
Hell,
may as well drink tap water.
FRANK
Fine with me.
They continue to
eat dinner and sip their wine.
ANGELA
You
know, Frank, you know, you may think
this sounds crazy. I know you’ll
think this sounds crazy, but I’ll
say it anyway. I’ll bet, I’ll just
bet, that if we lived in Paris we’d
fit right in with those people.
FRANK
What people?
ANGELA
You
know, Catherine, Jean Paul, Genevieve,
Gerard. I’ll bet if they got to know
us they’d have us over all the time,
and they’d stop by our place for
coffee or a cocktail. I know you think
that
ANGELA
(CONTINUED) sounds crazy, but I’m
sure we’d fit right in.
FRANK
And
what will we talk about, you know,
with the elite of Paris?
ANGELA
I don’t
know,... everything: politics, what is
going on in the world. We could give
them the American perspective on world
events. They’d like that since
America controls world events. And I
took that correspondence fashion
course, don’t forget. I could talk
fashion with the women. And you could
talk about guns.
FRANK
Oh,
speaking of guns, I’m taking the car
to the shop tomorrow.
ANGELA
Whaddaya
mean “Speaking of guns”?
FRANK
Ah,...it’s
just a figure of speech.
ANGELA
But I
thought you said Fred can’t fix the
car until next week.
FRANK
Yeah,
but we can’t wait. I’m going into
that shop tomorrow and just order Fred
to fix it. We’ve been loyal
customers for at least five years and
dozens of repairs. And if ordering
doesn’t work, I’ll beg.
ANGELA
Well,
I think you should be firm with
Fred...You know, I hate to admit it,
but Fred Williams has turned out to be
one of the most successful people in
my class.
FRANK
I didn’t
know you were classmates.
ANGELA
Well,
we were for nine years, then Fred had
to stay back. Twice. I doubt he even
remembers me, though.
FRANK
Well,
for a guy who stayed back, he is
certainly doing well. He has the
Cadillac, the Ford wagon, and that big
camper, too. And he and his brother,
the cop, own that place on the lake.
And you know what, Ang? People like
you and me are paying for all that. He
over charges all of us, but what can
we do?
ANGELA
What
can we do? Well, why don’t you go in
and watch television and I’ll clean
up.
INT - LLOYD’S
BEDROOM - NIGHT
Frank, lying on
bed, is watching the Jay Leno show. Angela comes
out of the bathroom in what she imagines is a
sexy black nightgown. Frank keeps his eyes fixed
on the television. Angela comes and lies down
beside him.
ANGELA
Frank,
don’t you find me attractive
anymore?
FRANK
Honey,
of course I do. Of course I do.
ANGELA
No,
really. You can be honest with me. Is
it ‘cause I’m overweight? Is it
‘cause, you know, because I’m a
little fat?
FRANK
Honey,
Honey, you’re not fat. Come on. Don’t
talk that way. You’re just a big
girl. That’s all. And you’re still
as attractive as the day I first met
you.
ANGELA
Then
why don’t you want sex like you used
to?
FRANK
Honey,
Sweety, it’s the end of the week,
and I’m pooped. Besides, I’m just
plain getting old. You know, it’s
just life,..mother nature. A man gets
older and his sex drive slows down.
ANGELA
Well,
it’s not happening to me. I’m
still young and, you know, Frank, a
woman needs sex. It is perfectly
normal. Doctor Riffson told me so.
FRANK
I
know, Ang. You’ve told me that
dozens of times.
ANGELA
Then
why don’t you do something about it?
FRANK
Honey,
you can’t force these things. The
right moment will come, you’ll see.
I want it to be mutual, Honey,
...romantic, ...not just, “Frank, I’m
ready, do it now.”
ANGELA
(long pause)
You
know, Frank, lots of men want to have
sex with me. Practically every time I
go to the mall I get propositioned by
someone. Even at the gas station, the
guy at the cash register almost always
makes his suggestive comments.
FRANK
And
don’t forget the boys at the
recycling center.
ANGELA
Right,
and those boys at the recycling center
are always
ANGELA
(CONTINUED) whistling at me and making
their comments. But you know, I’m
always faithful ‘cause I only love
you. No one else. But I don’t know
how much longer we can go on like
this.
FRANK
Me
either.
Angela leaves
the room [FADE
OUT] [FADE IN]
Angela returns with big bowl of ice cream.
Frank pretends to be asleep.
INT - LLOYD’S
KITCHEN - DAY
Frank is ready
to leave. Angela walks into the kitchen carrying
an empty plastic clothes basket. Angela is very
irritated.
ANGELA
Why
are you wearing your blue Ralph Lauren
designer briefs today?
FRANK
What?
ANGELA
Why
are you wearing your blue underpants
and not your white ones like you
usually do?
FRANK
I don’t
know. They must have been the first
pair I saw. I don’t think about
these things, Angela.
She
puts the
basket in the bathroom, and returns to kitchen.
ANGELA
Where’re
you going after you take the car to
Fred’s?
FRANK
It
will probably take Fred a few hours to
fix the car, so I’ll walk over to
the office and do some work. I should
be home by five.
About ten
seconds silence as Angela starts rinsing some
dishes and putting them in the dishwasher.
ANGELA
You
don’t have to lie to me. You’re
not fooling me. I know you’re going
to the office to meet one of your
women there. I know you’ll be having
sex there like you always do.
FRANK
Ang,
Ang, how many times do we have to go
over this? How many times do I have to
tell you that there are no other
women? You are the only woman in my
life. And besides, there is a strict
company policy against having sex in
the office over the weekend. I’ve
told you that at least a dozen times.
ANGELA
Well,
why is it that today, of all days, you
chose to wear your blue Ralph Lauren
designer briefs?
(long pause -
Frank looks at the ceiling, shaking his head)
FRANK
(exasperated)
Look
Ang, the problem is that we’ve got
to get the car fixed. The only person
within fifty miles who can fix a
Peugeot, the only person who is even
willing to look at one, is that lazy
bum Fred. And he’s always looking
for excuses not to work.
ANGELA
So?
FRANK
Now
suppose, just bear with me here, just
suppose that when I take the car in
today, and I ask Fred if he can fix
the car today, if he
will
please fix the car today, suppose Fred
says, “that depends.”
ANGELA
Depends on what?
FRANK
Suppose,
strange as it seems, just suppose Fred
says, “What kind of briefs are you
wearing today?” ... Now, you know,
you know just from the question, from
the mere fact that he asks the
question, that “White Fruit of the
Looms” is not going to do it. You
know that just from the question
itself. Fred is going to want to hear
something vibrant, something
contemporary, something exciting. He
doesn’t want to think that people
who drive fancy French cars are
wearing just plain old white Fruit of
the Looms.
ANGELA
Well,
can’t you just tell him you’re
wearing your bright blue Ralph Lauren
briefs?
FRANK
And
what if he calls my bluff, Ang? What
if that happens? What if, just what
if, he wants me to show him? Then
where are we? If he sees that I lied
to him, we’ll never be able to get
the Peugeot fixed again. Don’t you
realize that? Hell, we’ll probably
have to sell the damn car. Do you want
that, Angela? Do you want us to have
to sell the Peugeot just because I
didn’t have the foresight to put on
my only pair of designer briefs?
ANGELA
(starting to cry)
No I
don’t. I don’t wanna lose the
Peugeot.
FRANK
Well,
then, I’ve got to go.
Frank kisses her
on the head and leaves.
INT - LLOYD’S
KITCHEN - DAY
Angela, crying,
is folding laundry at the table. Betty calls.
BETTY
(VO)
Dear,
why are you crying?
ANGELA
It’s
Frank. I just don’t know, Mom. There
are times I think he loves me, but
there are times I’m sure he’s
seeing other women.
BETTY
(VO)
Why do
you think that? I find that hard to
believe. The only thing Frank seems
interested in, besides you, Dear, are
his guns. Was it the hairdo? Didn’t
Frank like it?
ANGELA
No,
no. He loved the hairdo. That’s not
it. But it’s Saturday and he’s
spending a few hours at the office. He
doesn’t like his job that much. He
says so. I think he’s just seeing
one of his women there.
BETTY
(VO)
That’s
just silly, Ang. Just plain silly.
Besides, if you are so sure, why don’t
you just go down there and see him?
ANGELA
I don’t
know. I don’t want to feel like I’m
spying on him. Besides, the only way I
have to get down there is on the
bicycle.
BETTY
(VO)
Well,
if it is really important, I’ll come
over and drive you.
ANGELA
(beat)
No,
Ma. Thanks, though. It’s probably my
imagination. I’ll just stay here and
clean.
INT - FIRST
FLOOR BATHROOM - DAY
Angela, loading
clothes in washing machine, has a fantasy.
INT - FRANK’S
OFFICE - DAY
Fantasy 1
- Frank’s
office, as dumpy as it really is. Frank takes
some papers over to Darlene (hair in a bun and
wearing glasses) at the copy machine.
FRANK
Darlene,
I want to thank you for coming in
today on short notice. It’s
important that these papers go out
first thing Monday morning.
DARLENE
Oh, it’s
no problem, Mr. Lloyd, I didn’t have
any plans for today.
Frank then gives
Darlene a quick kiss on the cheek.
FRANK
You’re
really a sweetheart, Darlene. If I
were twenty-five years younger I’d
propose.
Darlene
laughs. Frank goes back to his desk.
INT - LIVING
ROOM - DAY
Angela is
vacuuming the rug - second fantasy
INT - FRANK’S
OFFICE - DAY
Fantasy 2
- Frank’s
office is now fancier - a leather couch, end
tables, and brass table lamps. The fishbowl is
now an aquarium with a dozen goldfish. Darlene
has her hair down, no glasses, wears a white
silk blouse unbuttoned and open, no bra. Darlene
goes over to Frank and leans over his desk.
DARLENE
Here
you are, Mr. Lloyd, three copies each.
Is there anything else I can do for
you?... Anything?
FRANK
I tell
you what, Honey. Just go over and lie
on the couch. I just FRANK (CONTINUED)
have to finish this one page, and then
I’ll give you some attention.
DARLENE
You promise?
FRANK
I promise.
INT - LLOYD’S
KITCHEN - DAY
Angela is
emptying the dishwasher - third fantasy
INT - FRANK’S
OFFICE - DAY
Fantasy 3
- A very
fancy office -- dark wood paneling, a bar,
recessed lighting, and a huge aquarium full of
exotic tropical fish. Frank, hair slicked back,
is wearing an expensive Italian suit. He walks
towards the couch, a bottle of champagne in one
hand, two glasses in the other. Darlene (now
called Collette) is reclining on the couch in
just her black bra, panties, garter belt, and
stockings.
DARLENE
Oh,
Frank, you’re such an amazing guy. I
don’t know how to describe it, but
you’ve got that, oh I don’t know
what, that je ne sais quoi.
FRANK
Why
thank you, Collette. Here, it’s Don
Perignon, but I’m afraid it is not
one of his best years.
DARLENE
Well,
now and then we all have to make
sacrifices, don’t we, Love.
FRANK
Yes,
yes, that seems to be what life is all
about - sacrifices.
DARLENE
Speaking
of sacrifices, does that beached whale
you live with ever suspect our little
rendezvous?
FRANK
Doesn’t
suspect a thing. Hard to believe, isn’t
it?
INT - GARAGE -
DAY
Angela gets on
her bicycle and pedals off.
INT - FRED’S
AUTO REPAIR SHOP - DAY
Angela arrives
at Fred’s Foreign Auto Repair sweating. She
jumps off the bike and runs over to FRED. She is
in a frenzy, almost yelling.
ANGELA
Well,
did you ask him? Did you ask him or
not?
FRED
Ask who, what?
ANGELA
My husband.
FRED
Lady,
who’s your husband?
ANGELA
The
man who brought in that Peugeot.
FRED
Oh,
Frank. Ask him what?
ANGELA
About his
underpants?
FRED
What?
ANGELA
Did
you ask him about his underpants?
FRED
Ask
him WHAT about his underpants?
ANGELA
Did
you ask him what color his underpants
are?
FRED
What?
ANGELA
Did
you ask him the color of his
underpants?
FRED
Is
this a joke or something, Lady.
ANGELA
No.
Just tell me. Did you ask him or not?
FRED
No, I
did not enquire as to the color of
your husband’s underwear, Lady. Are
you all right?
ANGELA
(crying)
I knew
it. I knew it. I knew he made it all
up.
FRED
Made what up?
ANGELA
He
said you only want to fix cars for
customers with vibrant, contemporary
underpants. I knew it.
Fred slowly
walks backwards, away from Angela.
Angela,
still crying, gets back on the bicycle and
pedals off.
INT - BARBER
SHOP - DAY
Frank enters
Tony’s shop while Jim is having his hair cut.
JIM
(sees Frank
in mirror)
Hi, Frank.
FRANK
Hi, Jim.
JIM
Listen,
my new acquisition is in the car. I’ll
show it to you as soon as I am done.
FRANK
Great.
A few seconds
later one of the local police, DOBS WILLIAMS,
comes in to get his haircut.
INT - JIM’S
CAR, PARKING LOT - DAY
Jim is in the
driver’s seat, Frank is in the passenger seat.
FRANK
I can’t
believe how paranoid Tony is. He
carried on about how the world is a
different place, school kids are
blowing each other away, and he didn’t
want guns in his shop
JIM
Well,
I think Tony is right. Everyone is
afraid that some son or nephew is
going to get hold of a gun and start
killing people.
FRANK
Well,
I don’t have any sons or nephews to
worry about.
Jim reaches
under the seat and pulls out the gun wrapped in
a felt cloth. He puts it in his lap and unwraps
the felt.
FRANK
That’s
a beauty!
In the side
mirror, Frank sees Officer Williams approaching,
just several feet behind the car. He raises his
voice and directs his speech out the window
towards Dobs.
FRANK
And
really nice colors!
Jim sees Dobs
walk by and is silent for a few seconds.
JIM
(speaking
softly)
Whaddaya
talkin about, “nice colors”?
FRANK
It was
the first thing that came to mind when
I saw Dobs coming ‘cause a gun
wouldn’t have nice colors.
INT - LLOYD’S
KITCHEN - DAY
Angela, crying,
is sitting at table. She opens a can of Diet
Coke and rips open a bag of potato chips,
spilling them all over the table. Her parents
(BOB and Betty) show up.
BETTY
What
in the world is wrong? Why are you
crying like this?
BOB
Yeah,
Princess, what’s wrong? And why are
you all wet?
ANGELA
It’s Frank.
BETTY
Oh,
not this again. I thought you said you
knew it was your imagination.
BOB
What about
Frank?
ANGELA
He
said he was going to the office while
the guy fixes the car. But he’s not
there. I went by the office on my
bicycle. He’s not there.
BOB
Frank
is not at the office. So what?
ANGELA
Well
today, of all days, he is wearing his
bright blue underpants. He has only
one pair of briefs that ANGELA
(CONTINUED) aren’t white, and he
picks today to wear them.
BOB
(beat)
You
mean, ...you mean you think he’s
having an affair?
ANGELA
Yes, I’m sure
of it.
BOB
(beat)
Naw…
that’s crazy. I’m gonna go find
Frank. He may just be at the diner or
the barber shop. Did you check those
places, Princess?
Angela shakes
her head to indicate she hadn’t. Bob leaves.
INT - DINER -
DAY
Frank is sitting
in a booth in the diner sipping a cup of coffee.
Bob comes in and sits opposite him
BOB
Where
you been? I’ve been looking all over
for you
FRANK
I’ve
been running errands, and now I’m
killing time here until the car is
ready. Why?
BOB
I knew
it was something like that. For some
reason Angela got it into her head to
bicycle into town and see you at the
office. When you weren’t there her
imagination went wild. She’s really
off the wall. We have to do something.
FRANK
I don’t
know, Bob. Sometimes I love her, but
sometimes I want to kill
FRANK
(CONTINUED)
her
‘cause of this crazy jealousy thing.
INT - LLOYD’S
KITCHEN - DAY
Bob and Frank,
holding a box behind his back, walk into the
kitchen. Angela and Betty are sitting having
coffee.
BOB
Well,
I found him. Just as I thought, he was
in the diner.
FRANK
What,
were you afraid I was kidnapped or
something?
ANGELA
No. I
just, ...I just decided I wanted to go
into town and see you, that’s all. I
thought it was awfully strange that
you weren’t at Fred’s or at the
office.
FRANK
Well,
I was in the office for a while. But
then, I decided that new hairdo
deserved something special to go with
it, so I was out buying you a little
present.
Angela’s
demeanor immediately changes, and she becomes
happy
ANGELA
Oh,
Honey, you didn’t have to. What’d
ya get me?
FRANK
I got ya a new
tent.
Bob looks up at
the ceiling and turns away.
ANGELA
New tent?
FRANK
What
tent? I got you a new dress.
ANGELA
You said tent.
FRANK
No I didn’t.
ANGELA
Yes you did.
BETTY
Yes you did,
Frank.
FRANK
Oh,...well,
...if I did it was a mistake. I must
have said it because I… was feeling…
so… tentative about it. You
know how I’m always afraid you won’t
like the presents I buy you.
ANGELA
You
silly. You know very well that I
appreciate every little thing you get
me.
INT - WILLIAMS’
BEDROOM - DAY
Bedroom of Fred
and DOROTHY Williams. Dorothy lies on bed in a
sexy black leather corset with black fishnet
stockings. There is a slide projector on the
floor and it is flashing images of male hunks on
the ceiling. Fred, with his back to Dorothy, is
sitting naked on the bed with the sheet across
his lower half. He opens a brown cardboard box
and takes out a black rubber suit like the guy
was wearing in Pulp Fiction.
FRED
I don’t
know why the only time we have sex is
on Sunday morning. Why can’t we have
sex at night, like other people?
DOROTHY
You
mean, like you give me a quick pump
during the commercials of the Jay Leno
Show. No thanks. Sex with me is an
event. You ought to know that by now,
Fred.
FRED
You’re
right, I should. Now, how do I get
into this? I didn’t know it was
essentially one piece.
DOROTHY
(answers without
turning around)
There’s
a zipper in the back.
Dorothy turns
the slide projector off and picks up a fashion
magazine. Fred has on only the bottom half of
the suit.
FRED
Getting
this on is so much work that I’m
sweating like a pig. And I can’t get
Mr. Johnson in this sleeve unless he’s
at attention, which he’s not....You
know, I don’t remember if in the
movie his rubber suit had a sleeve for
his dick.
Dorothy goes in
the bathroom, comes back, and hands Fred a
bottle of talcum powder.
DOROTHY
Here,
this should help. And stop
complaining. And don’t forget to
find the stopwatch and compass.
Dorothy lies
down again and flips through magazine, lying on
her side with her back to Fred. In ten seconds
She looks over at Fred, who is completely
covered with talcum powder.
DOROTHY
For
Christ’s sake, Fred.
FRED
What?
DOROTHY
It’s
not my fantasy to have sex with the
Pillsbury Doughboy.
FRED
Look,
I’m doing the best I can. This “one
size fits all” is a pile of crap.
Dorothy gets up
from the bed.
DOROTHY
I’m
going to make some coffee.
INT - WILLIAMS’
KITCHEN - DAY
Dorothy,
standing by sink, has made a pot of coffee and
is eating cookies. Fred enters, dressed in the
rubber suit.
FRED
Now what?
DOROTHY
Now what, what?
FRED
Well,
now what do we do? I’m having
trouble seeing the sexual excitement
value in this getup.
DOROTHY
Well,
for now have some breakfast.
Fred sits down.
Dorothy pours him some coffee. Fred pours some
cereal in a bowl. Dorothy looks out the side
window.
DOROTHY
Great.
Perfect timing. Here comes your
brother.
Fred’s
brother the cop (Dobs) enters through the back
door.
DOBS
Well,
all set for church I see.
Dorothy
nonchalantly goes in the bathroom and comes back
in kitchen slowly putting on her robe. Dobs
pours himself a cup of coffee and sits down
opposite Fred.
DOBS
Gonna
to do some scuba diving are we?
Fred, holding
his coffee cup in his hands in front of his
face, elbows on the table, just stares at Dobs
over the cup.
DOBS
You
know, I’m not an expert on these
things, but I’m pretty sure these
rubber suits are supposed to
DOBS
(CONTINUED)
enhance
your sexual experience, not your
breakfast experience.
DOROTHY
See,
Fred? I’m not the only one.
FRED
Well,
it just shows how little you both
know.
DOROTHY
Dobs,
you want something to eat.
DOBS
(staring at
Fred)
No
thanks. I can’t explain it, but I’ve
suddenly lost my appetite.
FRED
(Suddenly
gets animated, turns
in
Dorothy’s direction)
Hey,
speaking of unbelievable things, I
forgot to tell you about the really
weird experience I had at the shop
yesterday. You know that blimp Frank
Lloyd is married to?
DOROTHY
What
about Frank Lloyd’s blimp?
FRED
Well,
yesterday, Frank drops his car off to
be fixed. An hour or so after he
leaves, his wife shows up on a
bicycle, huffing and puffing, and all
sweaty. She jumps off the bicycle,
runs up to me, and asks me,
practically yelling at me, if I asked
Frank what color his underpants are. I
think the woman has flipped or
something. I tell her, “No I did not
enquire as to the color of your
husband’s underwear.”
DOROTHY
She
didn’t believe you, did she?
FRED
(ignoring her
remark)
Well,
then she starts crying and says she
knew he was lying. I ask her what he
was lying about, and she says that
Frank told her that I only fix cars
for customers who have vibrant,
contemporary underpants. Then she gets
back on the bicycle and pedals off.
DOBS
That’s
interesting, but what was the really
weird experience you said you had?
DOROTHY
Are
you not telling us everything, Fred?
Do you actually insist on knowing the
color of your customers’ underpants.
You can tell us. We’re family, we
already know you’re strange.
DOBS
Yeah,
and I’m a cop. I’ve seen and heard
it all.
FRED
Very
funny, you two. Come on, don’t you
think this is friggin weird.
DOBS
Trust
me, and I’m not joking here, these
stiff-ass types in their suits and
ties are usually the ones that turn
out to be the strangest. Speaking of
which, I’ve got a funny story to
tell you about Frank and Jim Moore,
who works with him.
FRED
Will
this really be funny, or just one of
your regular stories?
DOBS
Yesterday
I get my hair cut at Tony’s. As I’m
walking to my car I
see
Jim and Frank, from behind, sitting in
Jim’s car. I think to myself, isn’t
it a little strange
DOBS
(CONTINUED) that if they work in the
same office all week, they have to
meet on Saturday to talk?
FRED
You
see, Dorothy? You see how the mind of
a trained detective works? Nothing
escapes him.
DOROTHY
Very impressive.
FRED
Continue,
Lieutenant Colombo.
DOBS
As I
approach the car I hear Frank say, “that’s
a beauty, Jim,” and then, just as I
walk past, Frank says, “and really
nice colors.” Makes you wonder,
doesn’t it?
FRED
Wonder what?
DOBS
What
the two of them were looking at in Jim’s
lap. What they couldn’t talk about
in the office.
DOROTHY
So
what do you think, Dobs? Was it Jim’s
underpants or something even more
personal?
DOBS
Well,
you wouldn’t say, “That’s
a beauty,” if you were looking at
underpants. But then again, you wouldn’t
say, “and really nice colors” if
it was something more personal. Or at
least I don’t think you would,
unless Jim is a really unusual guy.
Whaddaya think, Fred?
FRED
I
think you two are nuts. You’re
making something out of nothing. For
all you know, Dobs, Jim might have
bought you a really nice
FRED
(CONTINUED) birthday present and he
was showing it to Frank. They acted
funny when you came to the car ‘cause
they didn’t want you to see it and
ruin the surprise.
DOROTHY
Look,
Dobs, your brother is covering for
them. He’s in on this with them.
This underpants thing must be bigger
than we suspected. Come clean, Fred,
what are you and the other fruit cups
in this town up to? Is this some sort
of cult?
DOBS
Thank
god that sweaty little fat girl
alerted us decent citizens as to what
you’re up to, Fred
FRED
Look,
I don’t even know who Jim Moore is.
DOROTHY
OK, we’ve
got a mystery to solve.
DOBS
You’re
right, whether they know it or not,
the town is depending on us. All
right, what do we know?
FRED
(beat)
Well first, we know that Frank told
his wife that having vibrant,
contemporary, underpants is crucial to
getting a car fixed at Fred’s, when
it is not. Having vibrant,
contemporary, money is crucial to
getting a car fixed at Fred’s
Foreign Auto. Second?
DOBS
Second,
we know that he was doing something
suspicious in the
neighborhood
of Jim Moore’s lap,
in a
parked car, in back of the barber
shop.
FRED
Certainly
justification for suspicion by the
townsfolk. But what else do we know?
DOROTHY
Well,
I think Frank went to Princeton.
FRED
Me
too. And he was in the Navy. I know he
said that once. He also lived in San
Francisco, I think, when he started as
an accountant.
DOBS
And,
he drives a sissy French car. Anyone
who drives a car like that is either a
fruit cup or is, as they say, a latent
fruit cup.
DOROTHY
The
parts of the puzzle are starting to
fall in place. What else?
FRED
We
also know he’s married to a
dirigible. Never had any kids.
DOBS
He
collects guns, but he never shoots
them.
A
short silence as they look at each
other.
DOROTHY
So, where are
we?
DOBS
OK.
These are the hard facts we’ve got:
Princeton, Navy, San Francisco, sissy
French car, dirigible for wife, no
kids, collects guns but doesn’t
shoot
them,
fascination with men’s underpants.
FRED
Man,
this was staring us in the face
all
along; we just didn’t see it.
DOBS
Yeah,
but none of it is proof. It’s not
real proof.
DOROTHY
Do we
need proof? Can’t we just start the
rumors and ruin the man’s life with
what we have?
DOBS
No, we
need something more. So far, it’s
all circumstantial. It’s pretty
convincing, but it’s still
circumstantial.
FRED
So, now what?
DOROTHY
Vicars
and Tarts party.
FRED
Vicars
and Tarts party it is.
DOBS
Why a
Vicars and Tarts party?
FRED
Yeah.
Why a Vicars and Tarts Party?
DOBS
And
what is a Vicars and Tarts Party?
FRED
“I’m
a cop. I’ve seen and heard it all.”
DOROTHY
A
Vicars and Tarts party is a party
where all the men come dressed as
their favorite clergyman, and all the
women come dressed as whores, sluts,
ladies of the night.
FRED
Dorothy
grew up in Brooklyn.
DOBS
Down
at the station we call that a
Clergymen and Prostitutes party.
Anyway, why do we want one?
FRED
You
mean, we need a specific reason?
DOROTHY
Listen
you imbeciles. We have the party and
make sure that there are some sexually
attractive women there. We invite
Frank and Jim to the party, and we
watch to see if Frank is more
interested in the seductive women or
in Jim.
FRED
It’s
settled. One Vicars and Tarts party
coming up. When and where shall we
have it?
DOROTHY
You leave all
that up to me, boys.
DOBS
Now
listen, we’ve got to keep the
purpose of this mission quiet. This is
turning into a sting operation, and it
could jeopardise my career if the
chief finds out.
FRED
Mom’s the
word.
DOROTHY
Mum
is the word.
DOBS
OK,
mother is the word, but let’s agree
to keep the objective of this mission
to ourselves.
FRED
and DOROTHY
Agreed
INT -
LLOYD’S KITCHEN - NIGHT
Dinner at the
kitchen table with Frank and Angela
ANGELA
Oh,
Honey, I forgot to tell you that we
got an invitation
to a party in three weeks.
FRANK
Oh, who from?
ANGELA
From Bob Newman.
FRANK
Interesting,
I haven’t seen Bob Newman in a dog’s
age. I always liked that guy, and I’d
love to get a shot at getting his
business. He and his wife have that
very successful chain of marriage
counselling centers.
ANGELA
And
don’t forget, he’s an officer in
the Beaumont Club. It’s the
most
exclusive club around.
FRANK
You
know, I haven’t thought about it
until now, but we haven’t been
invited anywhere for ages.
ANGELA
You
know, you’re right. I can’t
remember the last time anyone invited
us to something.
They continue to
eat their chicken - each one has a whole chicken
on their plate.
FRANK
Ang, I
want to ask you a favor.
ANGELA
Sure, what is
it.
FRANK
It’s
in regard to this party business.
ANGELA
Sure, what?
FRANK
Well,
I want you to promise me that you’ll
keep your references to the French to
a minimum, and you won’t mention
Jerry Lewis at all.
ANGELA
Frank,
what are you talking about? What is
it? Is it that comment I made about
how only the French were smart enough
to realize that Jerry Lewis was the
comic genius of the twentieth century?
FRANK
In a word, yes.
ANGELA
Well, it’s
true.
FRANK
Ang, I
don’t want to discuss it.
ANGELA
Why,
Frank? You said you agreed with me.
FRANK
No, I
did not. I said that Jerry was ONE of
the comic geniuses of the twentieth
century, I didn’t say that he was
THE comic genius.
ANGELA
Well, he was.
FRANK
Angela,
you express your opinion as if it’s
a fact. Everyone is entitled to his,
or her, own opinion about something
like this.
ANGELA
Well,
Frank, I feel like you have just
stabbed me in the back. What, did one
of your floozies convince you that
Jerry Lewis is
not
the comic genius of the twentieth
century?
FRANK
I
haven’t stabbed anybody. I never
said Jerry Lewis was THE comic genius
of the century. I think he’s funny
and I really like his films. That’s
all I ever said.
ANGELA
Why do
you pick now to be so spiteful?
Sometimes I think you get some sick
pleasure from hurting me.
FRANK
I’m
not spiteful, Angela. I love you. The
problem is, as you should remember,
the last time we went to a party was
the July 4th Party the Knights had at
the Lodge. You remember?
ANGELA
Remember what?
FRANK
You
got in an argument and insulted a
bunch of women about this Jerry Lewis
business.
ANGELA
Well
they deserved it, after all Jerry has
done for kids with muscular dystrophy.
Jerry is an American icon, an American
institution, and I couldn’t believe
how many people at that affair did not
appreciate him.
FRANK
Ang,
there is a difference between
appreciating talent and agreeing that
a man is THE comic genius of the
century. There’s a big gap there.
ANGELA
Well,
excuse me. Excuse me for having the
courage of my
convictions,
but I’m not going to let a few lazy
housewives tell me that I’m wrong
about Jerry.
FRANK
But
look what happened. We got only half
as many Christmas cards last year, and
we haven’t been invited anywhere for
over a year.
ANGELA
And
what? You blame me? I am the reason
for that?
FRANK
Not
you, Ang, just this Jerry Lewis
business. Please, can’t we just
agree that you won’t bring it up at
this next party? Please?
ANGELA
All
right. All right. Just tell me this
first. Who, who in your opinion, is
THE comic genius of the twentieth
century.
FRANK
Well,
if I had to pick someone, and this is
off the top of my head because I haven’t
thought about it, it would be Roseanne
Barr.
ANGELA
Now
DON’T try to tell me that you are
not purposely trying to hurt me. Don’t
even pretend. Roseanne? That fat
tub-o-lard who is always making
wise-cracks? That is the problem. That
is the problem, Frank. You can’t
differentiate between real humor and
wise-cracks. .....Or is it that she
lost weight? Is that the barb that you
are trying to stick me with? That she
lost weight and became attractive.
Angela gets up
from the table crying and runs upstairs.
INT - LLOYD’S
KITCHEN - EVENING
Frank and Angela
drinking coffee after dinner.
FRANK
Ang, I’ve
got some interesting news.
ANGELA
Really? What?
FRANK
Harry
says that one of the big New York
accounting firms may acquire us. He
wants me to spend a couple of days in
New York with them.
ANGELA
What
for? What will you do?
FRANK
Well,
they want to explain how the New York
operation works with its regional
offices.
ANGELA
So, when will we
go?
FRANK
Ah,...
Ang, I don’t think this is a WE
situation.
ANGELA
What
do you mean? Are you thinking of going
to New York City without me? Without
your wife?
FRANK
Well,...
yeah. This is a business
trip,
Honey, not a sightseeing tour.
ANGELA
So,
what. You can’t take me along? I don’t
want to go to your meetings, but I’m
dying to see New York.
FRANK
Ang,
it costs an arm and a leg to do anything
in New York City.
ANGELA
Yeah,
but a big expense is the hotel room,
and that will be paid for by the firm,
right?
FRANK
Ang,
this is a bad idea. The next time I go
to New York you can come. I promise.
ANGELA
(starts
to cry)
You
don’t love me. I don’t know why
you ever married me. You’re too
selfish to be married to anyone.
Angela gets up
and runs upstairs to the bedroom.
INT - WILLIAMS’
KITCHEN - EVENING
Dinner at the
home of Fred and Dorothy. Dobs is there.
DOBS
Dorothy,
this chicken is terrific. You really
know what to order from the
Colonel....By the way, Fred, what was
the news from cousin Dabney. Dorot
said he called.
FRED
Oh,
yeah. He says he’s coming Willis
Falls the end of next week, and he
wants to know if he can stay with us
for awhile. Something about expanding
his operations.
DOROTHY
So,
what did you tell him?
FRED
What
could I say? I said, “sure.” We
don’t have much choice, do we?
DOROTHY
Great,
great. I don’t know what is the
worst thing about him: his slimy
manner, that he is always
hitting
on me, or that he can’t stop selling
insurance. And that
business
about changing his last name from
Pilly to Armstrong is just
so,...so,....phoney.
FRED
You
say those things like they’re
negatives. Dabney is financially the
most successful member of the clan.
And let us not forget, we
FRED
(CONTINUED) wouldn’t have gotten the
loan to buy the house on the lake,
never mind to start up Fred’s
Foreign Auto Repair, without Dabney
showing us the right way to make out
the loan applications.
DOBS
And
without him providing you with that
insurance policy that shows you’re
insured for two million dollars.
FRED
Right.
DOROTHY
But I
hate having him around.
FRED
Look,
we’re stuck with him for a while.
The decision is final. No further
discussion. Case closed.
DOROTHY
Well,
how about suggesting that he stays out
at the lake house? It’s only thirty
minutes from town.
FRED
You
know, that’s a good idea. I’ll bet
he’ll go for it.
INT - LLOYD’S
KITCHEN - EVENING
Frank and Angela
having dinner.
FRANK
Oh,
almost forgot. I got your train
tickets.
Frank leaves the
room. There is the distinct click of the latches
on his briefcase. He re-enters the kitchen.
FRANK
Here,
Honey. I was right, by the way, you
have to take the sleeper.
ANGELA
What
do you mean, “you have to take the
sleeper.” Aren’t we taking the
train together?
FRANK
Well,
no. I’ve got to fly. The firm has
already paid for my ticket. Besides,
Harry’d get suspicious if he found
out that I decided to take the train.
He made me promise, he made me swear,
that I would not bring you. Remember?
ANGELA
I can’t
believe you. I just can’t believe
you. You are going to let your own
wife take the train, while you, safe
and sound, fly there. Don’t you
realize that the train is dirty and
full of strange men looking for sex?
Don’t you realize that, Frank?
FRANK
Honey,
the problem with what you’re saying
is how you say it. You make it sound
so depressing. Say it like this: “Oh
boy, I get to ride the train to New
York. It’s safe, roomy, there’s a
nice restaurant car train, and if I
want sex there are plenty of men ready
to service me.” See the difference
that nuance makes.
Angela really
starts crying and runs upstairs. Frank takes a
newspaper off the counter and starts to read it.
INT - TRAIN
STATION - DAY
Frank and Angela
are standing next to the train.
FRANK
OK
now, Honey, all set?
ANGELA
I think so.
FRANK
Got
your pepper spray and whistle?
ANGELA
Yep.
And, Frank, you were right. It would
have been too expensive for me to fly
‘cause we would have had to pay for
a first class seat.
FRANK
The
train will be more comfortable anyway?
ANGELA
You’re
right. And you’ll see. I won’t be
any trouble in New York. I can take
care of myself and be completely
independent when I’m there. I won’t
be a burden at all.
FRANK
I love
you, Honey, now get on the train. I’ll
meet you in New York, tomorrow.
ANGELA
I love
you and you won’t regret bringing
me. You’ll see.
INT -
HOTEL ROOM - NIGHT
Angela and
Frank, carrying two suitcases, enter Frank’s
room at the Waldorf Astoria.
FRANK
I’ll
just put your bags over here. So,
everything go OK?
ANGELA
No,
everything was fine.
FRANK
Did
you manage to fight off all the
rapists on the train?
ANGELA
Very
funny. Boy, this room is small.
FRANK
So,
you want to eat something?
ANGELA
Yeah,
OK. What do you suggest?
FRANK
How
about if we try a Chinese restaurant?
ANGELA
Sounds
exciting: a Chinese restaurant in New
York City. Let’s do it.
INT - HOTEL ROOM
- MORNING
FRANK
Come on Ang,
gotta get going.
Angela comes out
of the bathroom.
FRANK
Now,
you’re going to take a taxi down to
Wall Street and then walk to the
Statue of Liberty?
ANGELA
I was
hoping you would come with me, you
know, just to drop me off, and then
you could take the taxi to the
accounting firm.
FRANK
Ang, I
can’t. No time. The accounting firm
is only six blocks from here. The
bottom of Manhattan is about five
miles away.
ANGELA
Well,..
. well, it’s just that I’m
uncomfortable taking a taxi.
FRANK
Why?
ANGELA
Well,
I didn’t want to tell you this last
night because I thought it might upset
you, but the driver
ANGELA
(CONTINUED) in the taxi I took from
the train station to the hotel tried
to proposition me.
FRANK
Really?
What did he say?
ANGELA
Well,...he
said,.. he asked me if I wanted to go
back and see his apartment.
FRANK
No,
no, Honey. That wasn’t a
proposition. The guy was just being
hospitable. New Yorkers are famous for
being friendly, especially to
out-of-towners. He didn’t really
want you to go back to his apartment.
ANGELA
Really?
FRANK
Yes,
absolutely. When I took the taxi in
from the airport the driver said the
same thing. He invited me to see his
apartment. He was just being polite.
So come on now, Honey, let’s go.
INT - HALL
OUTSIDE HOTEL ROOM - MORNING
A very old,
unattractive chambermaid is standing next to her
wagon, obviously getting ready to clean their
room.
FRANK
Good morning.
CHAMBERMAID
Hello.
All right to tidy up your room now?
FRANK
Sure.
INT - IN FRONT
OF HOTEL ELEVATOR - MORNING
ANGELA
(irritated)
Frank,
must you flirt with every woman you
see?
FRANK
I can’t
control myself.
INT - WALKING
THRU HOTEL LOBBY - MORNING
ANGELA
Frank,
I don’t wanna take a taxi.
FRANK
Well,
take the subway, an important part of
the New York experience. We’ll ask
at the desk.
INT - HOTEL
CONCIERGE DESK - MORNING
FRANK
Excuse
me. Can you tell us if it’s possible
to take the subway down to Wall
Street?
CONCIERGE
Couldn’t
be easier. You just walk over two
blocks that way on Lexington Avenue.
Go in the Subway and take the Number 4
or 5 train downtown to Wall Street.
You can’t get lost. And here’s a
subway map.
FRANK
You
hear that, Honey, “it couldn’t be
more simple. You can’t get lost.”
And you’ve got a map. Do you think
you can handle it?
ANGELA
I suppose so.
Frank looks at
his wristwatch to check the time.
FRANK
Oh
darn, I forgot my watch. I’d better
go back and get it. OK, you
FRANK
(CONTINUED) be all right? I’ll see
you back here tonight, probably after
dinner.
ANGELA
After
dinner? I thought you would be having
dinner with me?
FRANK
I don’t
think so. I’m pretty sure the firm
will want me to have dinner with some
of their people.
ANGELA
Well,
what am I supposed to do?
FRANK
I
thought you said you would be all
right on your own, Angela. I thought
you could eat a meal or two on your
own.
ANGELA
But I
hate to eat alone in a restaurant. All
the other people stare at you and
wonder what is wrong with you that no
one else will eat with you.
FRANK
(exasperated)
Well
then, order room service, Honey. Just
scribble my name on the check. I’ve
got to get going. I’m already
fifteen minutes late.
ANGELA
OK,
Frank. OK. Don’t worry about me. You
just go back upstairs and hit on the
maid like I know you’re going to.
You aren’t fooling me. You want to
see if you can score with a
chambermaid in a big New
York
City hotel. I know that’s how you
businessmen think. But don’t worry,
I won’t get in the way. I’ll get
out of your hair. I’ll find the
subway on my own.
FRANK
Thanks,
Honey, I knew you’d understand.
EXT - SUBWAY
ENTRANCE - DAY
Angela goes down
subway stairs, ten seconds later, reappears.
INT - HOTEL
LOBBY - DAY
Angela is at the
hotel lobby stand containing brochures to all
the sightseeing attractions. She takes one of
each.
INT - HOTEL ROOM
- DAY
Angela is lying
on the bed reading through all the brochures.
INT - HOTEL ROOM
- NIGHT
Frank returns
about 10:30 pm. Angela is in bed.
FRANK
Hi,
Pumpkin. Have a good day?
ANGELA
Yeah, I
was pretty busy.
FRANK
(getting
undressed)
Whatcha see?
ANGELA
Oh,
the Statue of Liberty, the Empire
State Building, The Museum of Science.
Some stores.
FRANK
Sounds
interesting. Want to tell me about it?
ANGELA
Not
tonight. I’m really tired.
FRANK
Maybe
that’s good, ‘cause I’m pooped
too.
INT - HOTEL ROOM
- MORNING
Frank is getting
ready to leave.
FRANK
OK, I’m off.
ANGELA
But
you’ll be back for dinner. You
promised.
FRANK
I’ll
try my best. It’s Friday night and I’m
sure they all want to get home to
their families.
ANGELA
OK,
but make sure you don’t do anything
to encourage them to take you to
dinner.
FRANK
Absolutely
not. All right, see you later.
INT - HOTEL ROOM
- EVENING
Frank enters
hotel room in a rush.
FRANK
Ang, Honey, bad
news.
ANGELA
Frank,
it’s almost six o’clock.
FRANK
I
know, Honey, but we got tied up. More
important, I have to leave in a few
minutes to meet the guys.
ANGELA
What
are you talking about?
FRANK
The
guys insist on taking me to the early
show at one of these comedy clubs, I
think it’s called Catch a Rising
Star. And then we are going to have
dinner club.
ANGELA
Well,
what about me? What am I supposed to
do?
FRANK
Ang,
you are going to have to fend for
yourself.
ANGELA
I can’t
believe you. These men are more
important to you than your own wife.
If you cared about me you would call
them up right now and tell them that
you are not feeling well. That’s
what you should do if you love me.
FRANK
What I
should do is kick myself for ever
having let you talk me into bringing
you along. Now I’ve told you,
Angela, the reason for this trip is
business. You agreed to that. You said
you wouldn’t be in my way. And now
you want me to duck out of the last
meeting.
ANGELA
What
meeting? This is just you and some men
you hardly know trying to have a good
time on the company’s money.
FRANK
That
is just the way it works. I can’t
change it.
Angela starts to
cry, goes in bathroom, slams door. Frank throws
up his hands in despair and leaves.
INT - MAIN ROOM
- COMEDY CLUB - NIGHT
Frank and
associates are seated at table next to stage.
EXT - AVENUE
OUTSIDE HOTEL - NIGHT
Angela flags
down a taxi
ANGELA
Do you
know where Catch a Flying Star is?
TAXI
DRIVER
I
think you want Catch a Rising Star,
Lady. Hop in.
INT - HOTEL ROOM
- NIGHT
Angela is in
bed. Frank enters, obviously angry.
FRANK
You
don’t have to pretend to be asleep.
ANGELA
I’m
never talking to you again.
FRANK
What
did you do? Did you follow me to the
club and then follow us to the
restaurant?
ANGELA
I just
ended up there by chance. That’s
all.
FRED
Right,
and what did you think would happen?
Did you think that half way through
dinner I would turn to the group and
say, “Would you boys like to meet my
wife? She’s sitting at the table
next to us.”
ANGELA
I didn’t
bother you, did I?
FRANK
Do you
know what it was like for me, thinking
that at any minute you were going to
stand up and announce who you are. And
the longer you put it off, the
stranger it would seem to everyone.
ANGELA
I’m
not talking to you any more.
FRANK
Fine with me.
ANGELA
When I
get home I’m going to live with my
parents.
FRANK
Fine with me.
Frank gets
undressed and gets in the other bed.
INT - HOTEL ROOM
- MORNING
Frank and Angela
are dressed and the luggage is all packed.
Angela breaks
the silence.
ANGELA
You
have only yourself to blame for last
night.
FRANK
What?
And how is that?
ANGELA
You
should have gone to dinner with me.
FRANK
Why,
because you have been sitting in the
hotel room for two days?
ANGELA
What
are you talking about?
FRANK
Nobody
fools you, Angela, nobody can fool
you. But you are really good at
fooling the rest of us.
ANGELA
And
what are you saying? What do you mean
by that?
FRANK
You
think I don’t know that you spent
the whole time in New York
sitting
in this hotel room?
ANGELA
I did
not, I saw lots of things. I have the
brochures to prove it.
FRANK
Brochures,
every one of which has Waldorf Astoria
stamped on the back. Didn’t you
notice that? You don’t have a single
ticket stub from any of the places you
said you saw. Yep, your big chance to
see New York City, and you stayed in
the hotel room and watched TV the
whole time.
ANGELA
(angry
and at the point of tears)
Well,
what did you expect me to do? I knew
you were just waiting to run back here
and have sex with the first floozy who
smiles at you. You couldn’t even
take your eyes off the chambermaid,
even though I was standing there right
next to you.
FRANK
Angela,
you are living in your mind.
ANGELA
What,
you think I don’t know about you and
Collette, and your laughing about the
beached whale behind her back?
FRANK
What?
What are you talking about?
ANGELA
You
know what, you don’t fool me.
FRANK
Angela,
you need help.
ANGELA
Help.
Hah! The only people who want to help
me are my parents, so I’m going to
live with them.
FRANK
Good.
Go run to your schoolmarm mother and
your bowling-wizard father.
ANGELA
You
think you’re so smart and know
everything. Well for a Princeton
graduate you don’t know much at all.
FRANK
Oh no?
Well, let me tell you some of the
things I do know,… things I know
about the French.
ANGELA
Like what?
FRANK
Like I
know the reason they invented perfume
is ‘cause they don’t like to
bathe. They are afraid of a little
soap and water.
ANGELA
That’s a lie.
FRANK
And I
know that the reason they invented the
French Foreign Legion was so they
would have a place to send their
homosexuals.
ANGELA
WHAT?
WHAT? Are you saying that Gary Cooper
was gay? Are you
saying
that? Here, I’m writing that down. I
don’t want to forget that one.
(Angela goes
to the table and takes out a piece of paper and
starts to write)
ANGELA
I’m
going to show this to people. You’ll
see, Frank. Gary Cooper a
homosexual.
Now people will know how sick you
really are.
FRANK
And
you want to know about French sauces?
The reason the French are famous for
their sauces is ‘cause they use them
to cover up the funny meats they eat.
ANGELA
That’s not
true.
FRANK
Yes it
is. They eat things like frogs, and
pigeons, and rabbits.
ANGELA
I’m
writing this down, Frank. Go ahead, go
ahead.
FRANK
That’s
why they love to watch Bugs Bunny.
Half the time they are laughing, the
other half they’re salivating. It’s
really disgusting to see.
ANGELA
How
would you know? You’ve never been to
France.
FRANK
You
want to know how I know? You want to
know? ‘Cause Collette told me, that’s
how I know.
ANGELA
What?
FRANK
Right,
Collette told me. And she lives right
in the center of Paris, next to the
Eiffel Tower.
ANGELA
You,
...you, bastard! I knew it all along!
I knew it! All right,
ANGELA
(CONTINUED)
when I
get to Pennsylvania Station I’m
calling my mother and telling her to
pick me up at the train.
Angela jams the
paper into her pocketbook, takes her suitcase
and leaves. Frank sticks his head out the door.
FRANK
Bon voyage!
Frank sits on
the bed and holds his head.
INT - WILLIAMS’
KITCHEN - DAY
FRED
Dabney,
you comin to this shindig tonight?
DABNEY
I
guess so. There’s nothing else to do
in this godforsaken place. What time
does it start?
FRED
Seven-thirtyish.
Listen, Dorot, I’ve got to take some
stuff over to the Lodge. I’ll be
back here around six-thirty, OK?
DOROTHY
Okey dokey.
Fred leaves.
Dorothy and Dabney are left in the kitchen.
DOROTHY
Dabney,
I’ve got a little favor to ask you,
a favor along the lines of being a
co-conspirator with me.
DABNEY
The
answer is a definite yes.
DOROTHY
Did
Fred tell you what kind of party this
is?
DABNEY
No,
just a get together of some of the
locals.
DOROTHY
Well,
it’s a little more than that. It’s
what, back in New York, we call a
Vicars and Tarts party.
DABNEY
What’s that?
DOROTHY
It’s
a party where all the men come dressed
as clergymen and all the women come
dressed as sluts.
DABNEY
Count
me in. Count me in.
DOROTHY
Unbeknownst
to Fred, I’ve invited his baby
brother Danny and some of his priest
friends to come. I even told Danny
that Fred wants them to come in their
vestments, if they could.
DABNEY
You
mean for my nephew, the newly ordained
Father Danny, and the other priests,
to come in their vestments, but they
don’t know about the vicars and
tarts thing?
DOROTHY
You got it.
DABNEY
Oh,
you’re a devil, Dorothy.
DOROTHY
I want
you to pick up Danny and his friends
and bring them to the festivities. Can
you do that? And don’t mention the
vicars and tarts
thing.
That means that you can’t get
dressed up like a priest or anything.
DABNEY
Hell,
my favorite clergyman is Jimmy
Swaggert, so I’m already
appropriately attired.
DOROTHY
Yeah,
I guess you are. Perfect. So, pick
them up after eight thirty. Don’t
get there until the house is full.
Maximum exposure, if you know what I
mean.
DABNEY
Dorothy,
dump Fred and marry me. Please!
DOROTHY
Get
going. I’ll see you later.
INT - BADGER
LODGE PARTY - NIGHT
The lights are a
little low. There is a band playing. The tables
are covered with dozens of turnovers and pies.
All the men are dressed in suits, and all the
women have on their usual party dresses. Dabney
enters with Danny and two other priests, all
three dressed in their black robes.
DABNEY
Oh-oh.
DANNY
What’s wrong?
DABNEY
Oh,
nothin. Well, let’s mix.
INT - BADGER
LODGE PARTY - NIGHT
Dabney finds
Dorothy, who is standing next to some women, two
of whom are wearing raincoats, and two of whom
are wearing wrap-around dresses like Dorothy’s.
DABNEY
Dorothy, what
gives?
DOROTHY
You won’t
believe it.
DABNEY
Try
me. What about the vicars and tarts
business?
DOROTHY
Practically
all the men decided, like you, to come
dressed as Jimmy Swaggert or Jimmy
Baker.
DABNEY
In
other words, they put on their regular
suits.
DOROTHY
Right,
and every husband told his wife that
it was a “tarts” party, which
meant that the wives were supposed to
bring tarts, like pies and pastries.
DABNEY
So,
every husband was hoping that every
other man’s wife would come dressed
like a slut while his own wife is in
her regular frumpy party outfit.
DOROTHY
Yep,
only five of us came dressed, how
shall I put it, attractively. Poor
Rachael and Sarah here are afraid to
take off their raincoats. And the rest
of us are afraid to unwrap these
dresses.
DABNEY
What a
disaster. What an unmitigated
disaster. Where is that moron you’re
married to?
DOROTHY
Don’t
know, don’t care.
INT - BADGER
LODGE PARTY - NIGHT
Dabney finds
Fred and Dobs at the other end of the hall
talking with a half-dozen other men. The rubber
suit is hanging on the wall nearby. Dabney takes
Dobs aside.
DABNEY
Dobs,
what happened? How could you guys
screw this up so bad?
DOBS
Don’t
blame me. I’m as disappointed as
you, believe me.
DABNEY
Well,
now what am I going to do? This’ll
be as boring as cow shit.
DOBS
Have a
drink. Have several drinks. They’re
only a buck a piece.
Conversation
centers on Fred and the men around him.
GUY 1
Fred,
why didn’t you get the white man’s
model?
FRED
What do ya mean?
GUY 2
(pointing
at dick sleeve
of
rubber suit)
Well,
look at that sleeve. That has to be
the black man’s model.
Everyone laughs.
Dabney
turns back to Dobs.
DABNEY
Dobs,
are there any poor souls here tonight
who have lived in the town a long time
and are fairly well liked? Maybe some
accountants or teachers?
DOBS
(beat)
Well,
there’s the underpants guy.
DABNEY
Who?
DOBS
Never
mind. I’ll explain another time.
Standing over there is an
DOBS
(CONTINUED) accountant who has lived
in Willis
Falls
a long time. You want me to introduce
you?
Dobs and Dabney
walk over to where Frank is standing.
DOBS
Frank, how ya
doing?
FRANK
Fair
to Midland, Dobs. Can’t complain.
DOBS
The wife with
you?
FRANK
Nah,
at the moment the wife prefers her
parent’s company to mine.
DOBS
Lucky
you. By the way, I don’t see Jim
Moore, I thought he was coming.
FRANK
At the
last minute his wife came down with
the flu. That reminds me, I haven’t
seen Bob Newman.
DOBS
Oh,
didn’t you hear the big news? Bob
ran off with his secretary. Left the
wife, two kids, the big house and the
business. Gone to Tahiti or someplace
like that.
FRANK
Holy
cow! I hadn’t heard.
DOBS
Oh,
sorry, Frank, I don’t mean to be
rude. This is my cousin, Dabney
Armstrong. He lives up around
Davenport and is visiting with us for
a while.
DABNEY
Hi,
Frank, nice to meet you. Dobs and Fred
have told me a lot of nice things
about you.
FRANK
Really?
I didn’t even know they knew a lot
of nice things about me.
DABNEY
Well,
they made it sound like you are one of
the most respected men in the
community. Made it sound like you
should be running for mayor or
something.
DOBS
Yeah,
don’t be so modest, Frank. Will you
guys excuse me for a minute? I’m
gonna go get a beer.
FRANK
and DABNEY
Sure, sure.
FRANK
So,
Dobs tells me you’re an accountant
with the biggest firm in the area....
INT - BADGER
LODGE PARTY - NIGHT
In a corner,
Dorothy is talking with Danny and two priests.
DANNY
(a smirk on his
face)
So,
Dorothy, I understand that the tarts
that are supposed to be here aren’t
pastries.
DOROTHY
Who told you
that?
DANNY
A little bird.
The other two
priests smile.
DOROTHY
Well,
unfortunately, this town is full of
the most boring people in
the
world who wouldn’t know how to have
a good time if their lives depended on
it.
DOROTHY
(CONTINUED)
(beat)
Gosh I’m thirsty. Danny, would you
get me something to drink?
DANNY
Sure,
what would you like?
DOROTHY
Oh, I
don’t know. Maybe some apple juice.
DANNY
Sure,
...if I can find some.
Danny walks off,
leaving Dorothy the two other priests who are
sitting with their backs against the wall.
PRIEST
1
So I
gather, Mrs. Williams, that only a few
of you came dressed appropriately
tonight.
DOROTHY
Yes,
only about five of us, and no one will
appreciate our costumes.
(long
beat)
You
know, would you mind if I asked you
boys your opinion about something?
About my costume?
PRIESTS
1 and 2
Sure. OK.
DOROTHY
Well,
for my costume I’ve got a frilly
lace bra, a black garter belt, black
fishnet stockings, and I bought some
panties, I think they call them
crotchless panties. I’ve never worn
them before. Here, let me show you.
Dorothy opens up
her dress and shows the two priests. No one else
in the hall can see Dorothy from her front.
DOROTHY
So my
question is, these crotchless panties
have these laces that you can use to
tie the panties closed, like they are
now. Or, you can not tie the laces and
just let them hang down. Here,
I’ll
show you. My question is, which way do
you think looks better? Which way
looks more sexy? You know, how would a
real prostitute wear them?
So,
which way looks better?
Boys stare at
Dorothy’s crotch with open mouths.
Boys,
which way looks better?
INT - BADGER
LODGE PARTY - NIGHT
Dabney still
talking with Frank
DABNEY
Look,
Frank, if you are going to think of
this as just selling insurance, then I
don’t want you to even think about
getting into the business. What you
are selling is the most precious
product in the world, you are selling
financial security.
Dorothy (dress
closed) approaches Frank and Dabney.
DOROTHY
Sorry
to interrupt you two.
DABNEY
Oh, hi, Dorothy.
FRANK
Hi, Mrs.
Williams.
DOROTHY
Hi,
Mr. Lloyd. Listen, Dabney, Danny and
pals have to do some early masses
tomorrow, so they have to get going
soon, OK?
DABNEY
OK, no
problem. I’ll round them up in a
minute.
DOROTHY
Do you
know where that shitbag I’m married
to is?
DABNEY
Last I
saw, he was trying to unload that
rubber monstrosity on anyone stupid
enough to buy it.
Dorothy walks
off.
DABNEY
So
before I go, Frank, remember, when you
work with us you are providing one of
the most precious products a company
can provide, and you are doing it at
your own pace. You are controlling
your own destiny. Whether you succeed
or fail is totally up to you. And I
can tell from the short time I’ve
been with you, that you’re a guy who
doesn’t like to fail.
FRANK
OK,
Dabney. I’ll think about it.
DABNEY
Good.
Now remember, if you want to talk some
more, come on out to the lake next
Saturday or Sunday. Can you remember
those directions?
FRANK
Yeah,
they were pretty simple.
DABNEY
Now
remember, all the houses are set back
from the road. If, when you pull down
the driveway, you don’t see my
Mercedes, you’re at the wrong house.
FRANK
I’ll
find it, and if I can’t, I wrote
down your phone number.
DABNEY
Great.
Well, I hope you think about it
seriously. OK, Frank, I gotta go. I’m
really glad we had a chance to meet.
FRANK
Me too.
EXT - IN PEUGEOT
AUTOMOBILE - DAY
Frank is driving
out by the lake, looking for Williams’
cottage. He pulls into the fifth driveway past
the fire hydrant, mistaking the first driveway
he saw for a fire road. He drives up the long
driveway, and sees a short man standing next to
an old Buick. Frank stops the car, puts it in
reverse and backs out of the driveway. He gives
the short man, who is giving him a very strange
look, a wave, as if to signal that it was a
mistake. Frank then goes back about a fifth of a
mile and takes that driveway. Success -- a
Mercedes.
INT - LLOYD’S
KITCHEN - EVENING
Frank returns
from work to find Angela sitting in kitchen.
ANGELA
I’ve
decided to give you another chance.
FRANK
Lucky me.
ANGELA
I’ll
make dinner and we’ll talk.
INT - LLOYD’S
KITCHEN - MORNING
Angela and Frank
are eating breakfast, cereal boxes on the table.
Angela in pyjamas, Frank in his suit.
FRANK
I
haven’t told you, but I’ve decided
to take up a part-time job, more like
a part-time career.
ANGELA
Oh really? What?
FRANK
I’m
going to be a financial counselor and
sell a range of financial products.
ANGELA
You
mean, like an insurance salesman?
FRANK
Well,
sorta, but it’s much more. More
involved.
ANGELA
When
are you going to do it?
FRANK
I’m
going to make one or two calls a
night. Maybe go out four nights a
week, after dinner.
ANGELA
Well,
can I come with you. I’ll just sit
in the car and wait. You shouldn’t
be long, right?
FRANK
Are
you sure you want to do that? It will
get awfully boring.
ANGELA
Well,
it won’t be any more boring than
just sitting at home.
INT - CLIENT’S
KITCHEN - NIGHT
Home of first
prospective clients - a married couple
FRANK
So
that is the course we would advise. It
offers a good balance between
maintaining a comfortable, but not
extravagant, lifestyle, while putting
away enough money to be sure that you
will be financially secure in your
later years. These things are
important, so you might want to think
about this for a few days.
HOUSEWIFE
You’re
right. We would like to think about
it. We know you are right about having
to plan for the future and all, but
this will
represent
a big change if we save this much
money each month.
Just then there
is a very long blast from the car horn.
HOUSEWIFE
What’s that?
FRANK
Probably my
wife?
HUSBAND
Your wife?
FRANK
Yeah,
she insists on waiting in the car.
HUSBAND
Why?
FRANK
She’s
insanely jealous.
HOUSEWIFE
Of what?
INT - LLOYD’S
PEUGEOT - NIGHT
FRANK
The
next time you do that will be the last
time you come with me.
ANGELA
Well, I was
nervous.
FRANK
Why?
ANGELA
You
told me you would only be 20 or 30
minutes, and you were in there 45
minutes already.
FRANK
I was
in there a long time because things
were going well. Very well.
ANGELA
Well,
I’m sorry. I was just worried, that’s
all.
FRANK
Well
just remember for the future: First,
no horn. Second, if I’m in their
home a long time, that’s a a sign I
might have a sale.
ANGELA
I’m
sorry, Frank. I’ll remember.
INT - LLOYD’S
PEUGEOT - NIGHT
Frank and Angela
sit in the car and look at the cabin set back
far from the road. Frank parks car at end of
driveway.
ANGELA
Boy,
Frank, this house is really in the
middle of nowhere. It looks kind of
spooky. And look at all those “NO
TRESPASSING” signs. You sure you
want to go in there?
FRANK
Well,
it’s on the list Dabney gave me. If
they don’t want to talk, I’ll just
leave.
INT - IN SPOOKY
HOUSE - NIGHT
Frank is talking
with the couple. Husband looks like a mountain
man. There are guns all over the walls.
FRANK
Well,
Mr. Adams, I’m supposed to be
talking to you about financial
matters, but I see you’ve got one
heck of a collection of rifles.
MRS.
ADAMS
My
husband loves to hunt. His favorite
thing in the world.
MR.
ADAMS
You,
Mr. Lloyd, you like to hunt?
FRANK
No,
but I collect guns, mostly handguns,
but I can appreciate what you’ve got
here. Those Parker double barrels are
very valuable.
MR.
ADAMS
Yeah,
those are my favorite bird guns. Had
them for years.
A noise is heard
outside.
MRS.
ADAMS
What’s that?
MR.
ADAMS
Don’t
know, better take a look.
Mr. Adams takes
a shotgun from the wall and loads it.
FRANK
Do you
really think you need the gun.
Probably just an animal.
MR.
ADAMS
Maybe
you’re right. Our dog is at the vet’s.
Probably just a skunk.
Mr. Adams is
putting on his boots. Frank looks over his
shoulder out the window. He is touching his lip
with his left hand, obviously thinking about
something.
FRANK
Maybe
you ought to take the gun. You never
know these days.
Mr. Adams takes
the gun and goes out.
FRANK
Does
this happen often, Mrs. Adams
MRS.
ADAMS
Oh
sure. We get skunks and racoons coming
around and making a racket all the
time.
Mr.
Adams comes back in the door.
MR.
ADAMS
If I
didn’t know better, I’d say I just
saw a really fat woman running down
our driveway.
INT - LLOYD’S
BEDROOM - NIGHT
Frank and Angela
are lying in bed watching the evening news.
TELEVISION
NEWSCASTER
Law
enforcement authorities believe that
this man, Mortimer Bundy, may be
hiding in the southern Iowa. Mr. Bundy
is wanted for murder in numerous
countries. He is a professional killer
and is on the FBI’s most wanted
list. If you should see him, call the
telephone number you see now on your
screen. His is armed and extremely
dangerous.
FRANK
You
know, Ang, I’ve seen that guy
somewhere.
ANGELA
Don’t
be silly, Frank. What would an
internationally wanted criminal be
doing in Willis Falls? Of all the
places for him to be -- Willis Falls.
I mean, if you were an international
criminal, would you hide out here?
FRANK
I don’t
know where I’d hide out.
INT - LLOYD’S
BEDROOM - NIGHT
As Frank is
falling asleep, his eyes suddenly open wide.
EXT - WRONG
DRIVEWAY AT LAKE - DAY
Frank has a
flashback and sees wanted Killer at cottage next
to Williams’ cottage at the lake.
INT - LLOYD’S
KITCHEN - DAY
Betty and Angela
are drinking coffee.
BETTY
So
this insurance thing is starting to
work out, is it?
ANGELA
Yeah,
just in the last month. His boss says
that Frank is now one of the top
salesmen. I think it’s ‘cause he
sees so many hunters. He likes to talk
guns with them.
BETTY
(hesitating)
Angela,
I have something to tell you. It is
really strange, and it may be totally
nonsense, but I think, as your mother, I
should tell you anyway.
ANGELA
Sure,
Mom, what is it?
BETTY
It’s about
Frank.
ANGELA
Yeah?
BETTY
Well,
Bob heard, and this may be total
nonsense, Bob overheard some men at
the Bowladrome talking and laughing
about something they had heard from
one of the local cops. This policeman,
and I don’t know who it is, said
they all know Frank Lloyd has an
underpants fetish. Men’s underpants.
ANGELA
What?
That’s crazy. That is absolutely
crazy. I’m not even really sure I
know what an underpants fetish is, but
I know that my husband doesn’t have
one.
ANGELA
(CONTINUED)
They
must have been talking about a Frank
Boyd, or a Hank Lloyd.
BETTY
Well,
you’re probably right, Ang, You’re
his wife, and you’d know if this
sort of thing were true.
INT - LLOYD’S
KITCHEN - MORNING
FRANK
Ang, I’m
just gonna make just one house call
today. Out by the lake. Then maybe I’ll
go by and see Dabney. Wanna come?
ANGELA
I don’t
know. Maybe not. Maybe I’ll just
stay here.
Frank shakes his
head in disbelief.
FRANK
I
think that as long as I’m out by the
lake I may as well stop in and see
Dabney Armstrong....Did I
tell
you that Dabney told me that the
reason the cottages out there are set
so far back is because lots of the
people around the lake are nudists?
ANGELA
(beat)
You
know, I think I will go with you,
Frank. It is much too nice a day to
sit in the house.
INT - WILLIAMS’
COTTAGE KITCHEN - DAY
Dorothy hangs up
the phone as Fred walks into kitchen.
FRED
Who was that?
DOROTHY
Cousin
Dabney. Says he’s coming out here
later. Bringing Danny and a couple of
his friends. Says he told you about
it.
FRED
Yeah.
He has this idea that priests might
introduce him to the members of their
parish who would be good insurance
prospects. Not a bad idea.
DOROTHY
I don’t
know, Fred. That is really pretty low,
pretty sleazy.
FRED
Dabney
says it could be a huge success. Says
he’s going to give us a cut on each
sale, like a commission, for all our
help.
DOROTHY
Woo.
Interesting. Do we have to split with
Dobs?
FRED
No.
Dobs knows nothing about this; so don’t
mention it to him.
DOROTHY
Mom’s the
word.
FRED
Where
is Dobs, by the way?
DOROTHY
He
went back to our house to get the
monkey suit.
FRED
Why?
What’s he going to do with that
rubber torture chamber?
Dorothy
He saw
that scuba gear you stole from Barry
Goldberg and he wants to try some
diving in the lake. Says he is going
to use the monkey suit as a wet suit.
FRED
I didn’t
steal the stuff. Barry owes me for
three repair jobs on his BMW. I have
just borrowed his diving gear from his
trunk, and I’ll return it when he
pays me.
DOROTHY
I didn’t
know ‘till today that Dobs knows how
to scuba dive.
FRED
When
he was in the Navy he did some diving.
I think they make all the guys in the
Navy learn the basics of diving.
DOROTHY
Oh,
where was he based?
FRED
San
Francisco, I think.
DOROTHY
Interesting,
he never told me.
INT - KILLER’S
COTTAGE BATHROOM - DAY
Bathroom of
cottage (next to Williams’cottage) where
Mortimer Bundy is hiding out. Killer is about to
take a shower. He is in his underpants, and
turns on the hot water. No water.
KILLER
Oh,
shit! Forgot to turn on the water pump
and now the tanks are empty. What a
stupid system.
EXT - KILLER’S
COTTAGE BACK YARD - DAY
Killer goes out
to the shed in back of the cottage, and turns on
the pump. He wears only his underpants and
slippers, and holds a pistol with a silencer on
it. As he is returning to the house, he catches
a glimpse of someone approaching the front of
the house. The killer circles around to the
front of the house. Frank stands on the front
steps, knocks on the front door, his briefcase
on the step next to him. The killer comes up
behind him and puts the gun in his back.
KILLER
Put
your hands up, asshole. If you so much
as twitch, I’ll blow your head off.
Killer looks
around to see if anyone is with Frank.
What’s in the
briefcase, shithead?
FRANK
Papers.
KILLER
Slowly,
very slowly, turn around, put your
hands down and open the briefcase.
Leave it on the ground and open it. I’m
tellin ya now, if there is anything in
there besides papers, you’re a dead
man. Want to change your mind about
what is in the briefcase?
FRANK
No. It’s just
papers.
Frank opens the
briefcase full of insurance applications.
KILLER
What are those?
FRANK
Insurance
applications, Mr. Bundy.
KILLER
How do
you know my name?
FRANK
I saw
your picture on the TV.
KILLER
And
what? You came out here to sell me
some insurance?
FRANK
Yeah.
KILLER
(shakes
his head in disbelief)
Right.
OK, nice and slow, put your hands back
up. We are going to walk around the
house and go in
KILLER
(CONTINUED) the back door. If you try
to run, I’ll fuckin kill you.
They walk around
the house, go up the stairs and in the kitchen,
the killer carrying the briefcase.
INT - KILLER’S
COTTAGE KITCHEN - DAY
KILLER
Stop
right there. You have a gun?
FRANK
No
KILLER
All
right, Mr. Cleverdick, this is what we’re
gonna do. You are going to turn around
and face me. You will then put your
hands down. You are going to slowly
take each article of clothing off. At
the point at which I see a gun, I’m
going to kill you. Want to change your
mind about the gun question?
FRANK
Nope.
I don’t have a gun.
KILLER
Start
taking your clothes off, slow.
FADE OUT FADE IN
Frank is standing there wearing just his
underpants, shoes and socks.
KILLER
All
right. Sit down in that chair, puts
your arms behind you.
The killer,
using some clear, one-inch wide, packing tape,
is taping Frank’s wrists together and taping
his ankles to the legs of the chair.
KILLER
I know
you’re supposed to use duct tape for
this, but K-Mart
KILLER
(CONTINUED) was fresh out. I hope you
don’t mind.
FRANK
No problem.
Killer stands
up, points pistol at Frank’s forehead.
KILLER
All
right. Who are you and what do you
want?
FRANK
My
name is Frank Lloyd and I’m an
accountant. I sell insurance part
time. I came out here to see if you
might be interested in buying some
insurance.
Killer shakes
his head in disbelief at what he is hearing.
KILLER
How’d
you know who I am? How’d you know I
was here?
FRANK
Well,
like I said, I saw your picture on the
news. And a while ago, I was lost, and
I pulled into your driveway by
mistake, saw you, and left.
KILLER
Were
you the guy in the white Peugeot?
FRANK
Yeah, that was
me.
KILLER
Nice
car. I always liked that model.
FRANK
(beat)
Thanks.
KILLER
Well,
why didn’t you tell the cops?
FRANK
Tell them what?
KILLER
That I’m here.
FRANK
Why would I do
that?
KILLER
Never
mind. This is fuckin weird.
FRANK
What’s weird?
KILLER
(exasperated
and getting excited)
“What’s
weird? What’s weird?” I’m a
hired killer! I’ve knocked off
people all over the world. The FBI and
Interpol are looking for me. And I’m
sure that the state police and the
local police are looking for me. None
of these people can find me. BUT, an
insurance salesman who is hoping to
make one more sale tracks me down. You
don’t think that’s weird?
Killer paces
around house, looking out the windows.
KILLER
I don’t
believe this. You’ve got to be a
cop. And if you are, I’ll admit, I’m
confused. I’ve been dealing with
cops my whole life, and I can tell you
they are pretty dumb. Now you, you are
either dumber than the dumbest cop, or
you are actually very clever. Well,
just so you know the rules, Buddy, as
soon as I see one of your co-workers I
blow him away, and you too.
Killer
paces around the kitchen.
KILLER
I need
a cup of coffee. What I really need is
a stiff drink, but I’d better stick
with coffee.
Killer pours
himself some coffee. He is clearly thinking the
whole time. He looks out the windows every
thirty seconds.
FRANK
You
can relax Mr. Bundy. I’m not a cop,
honest.
KILLER
You’re
not a cop? You’re just a guy who
came out here to sell me an insurance
policy?
FRANK
Yes,
that’s right. Why don’t you
believe me?
Killer paces
about the house looking out the windows.
EXT - LLOYD’S
CAR ON ROAD - DAY
Angela gets out
of car. She starts up driveway. She stops, goes
back and trots up road and enters the woods.
INT - KILLER’S
COTTAGE KITCHEN - DAY
KILLER
Tell
me, what’s your name again?
FRANK
Frank Lloyd.
KILLER
Tell
me, Frank, isn’t there a space on
the application where I would have to
fill in my profession? I’ve never
filled out an insurance form, but I’m
willing to bet that they want to know
what I do for a living.
FRANK
Sure. Naturally.
KILLER
Well,
which is the best choice do you think:
killer, bank robber, kidnapper? I’m
new to this, so tell me, which one do
you think is the most impressive?
FRANK
Consultant.
Consultant on law enforcement issues.
KILLER
Consultant.
Of course, silly me. Consultant. I
guess we are safe with that one. What
about a permanent address?
FRANK
You
can use any address, doesn’t matter,
you just say you moved. If you want,
use my address.
KILLER
Oh,
how generous. And don’t you think
they will get a little suspicious when
the insurance company sees my name?
FRANK
They
wouldn’t recognize your name if you
put down Darth Vader, Mr. Nolonger
Liveshere, or Mr. Bowel Movement. It’s
all done by computer.
Killer paces
some more, still checking the windows.
KILLER
You
know, Frank, you are starting to
convince me that maybe I can get
insured. But, why do I want insurance?
I don’t care about anybody. I don’t
have any family.
FRANK
You
must have some kids? ...Maybe some
illegitimate kids?
KILLER
What?
...What, you just assume that because
I’m a criminal I must have some
illegitimate kids?
FRANK
(pause)
Well, ...yeah.
KILLER
(beat,
irritated
tone)
Well,...
I do. But I still don’t think you
have the right to assume that about
me. That is really an insult. You
know, to assume something like that
about a person you don’t even know
is really offensive.
FRANK
Oh, I
didn’t mean any offence. Really. It
wasn’t a comment on your moral
character. It is just that, you know,
I assume that you don’t stay long in
any one place, so your relationships
all have to be brief, and probably
intense.
KILLER
Well,
you’re right. That is exactly the
problem with my line of work. Not many
people appreciate that. Not many
people appreciate all the hardships
involved in a job like mine. They see
the big bucks and the glamour, but not
the down side.
FRANK
Well, do you
like it?
KILLER
Like what?
FRANK
Your job? Your
life?
KILLER
(beat)
I
think the answer is...I don’t know.
Some days it is OK, but other days it
really sucks. What about you, you like
your life?
FRANK
(beat)
I live
in middle-of-nowhere Iowa, I’m an
accountant, and I sell
life
insurance part time to make ends meet.
What do you think?
KILLER
Yeah,
I don’t think I want to trade with
you.
Killer gets up,
sipping his coffee, looks out the window.
KILLER
Well,
Mr. Cleverdick, your story just got
blown. I see someone moving through
the woods towards the cottage. In a
few seconds he’ll be dead, and so
will you. Too bad, I was startin to
like ya. Any last words?
Killer, as he
talks, gets hunting rifle out of closet.
FRANK
Honest.
I’m not a cop. I’m not involved in
any way in trying to catch you.
...Listen, just go ahead and shoot
whoever it is. Go ahead. They probably
deserve it anyway. This is private
property.
KILLER
Boy,
if you are a cop, you’re
using the most unusual tactics I’ve
ever seen.
Killer sits in
chair in front of the window, opens window and
sticks rifle out. He takes aim. He waits ten
seconds, takes the gun out of the window and
rests it against wall.
FRANK
What’s wrong?
KILLER
I need a bigger
gun.
FRANK
What?
KILLER
Trust
me. If you could see what’s coming,
you’d understand.
FRANK
Oh,
baloney. That’s a thirty-odd-six.
That rifle will bring down anything.
KILLER
What, you a
hunter?
FRANK
No. I’m
a gun collector.
KILLER
No
kidding, what do you collect?
FRANK
Handguns
mostly. I’ve got about sixty
different pieces.
KILLER
No
shit, an accountant slash insurance
salesman who collects handguns.
Interesting. Well, almost interesting.
FRANK
(exasperated)
Well,
you gonna shoot her or not?
KILLER
Well,
that definitely is interesting. Why’d
you say “her”?
FRANK
(shaking
his head at blunder)
I don’t
know. Just a guess. I thought you
said, “her.”
KILLER
Right.
FRANK
Well,
are you gonna shoot the person or not.
KILLER
Can’t.
FRANK
What?
KILLER
I can’t.
FRANK
(getting
angry)
Whaddaya
mean can’t. Don’t give me
that can’t business. You can,
you just don’t want to.
KILLER
You’re
right. I have rules. I kill cops for
free but I kill other people only if I
get paid to.
Killer closes
the window.
FRANK
Great.
A killer with rules.
KILLER
So,
Frank, I take it that this is your old
lady lumbering towards my abode.
FRANK
What,
“old lady.” It’s probably a cop.
All the local police stations have
some women on the force.
KILLER
Have
they got some policewomen the size of
battleships? Have they got some
policewomen who can only run ten steps
at a time before they have to rest for
twenty seconds? I doubt it.
FRANK
(pause)
Oh,
all right. If it’s a really big
woman, it might be my wife.
KILLER
So,
that’s the little woman. What, is
she coming to rescue you? Or,...or is
this some sort of a trap. What, is
there a reward for my capture? Are you
two bounty hunters? I’ve seen
stranger things in my life.
(Beat)
No,
no, that’s not true. I’ve never
seen anything as strange as this.
FRANK
Hah!
She’s coming to spy on me, that’s
what she’s coming to do.
KILLER
Why?
FRANK
She
thinks I might be having sex?
KILLER
What,
with me? ... What’d you tell her:
“Honey, I’ve located one of the
ten most wanted criminals in the
country and I wanna go over and see if
he finds me attractive. Back in a
couple of hours.”?
FRANK
No. I
just told her I was going to see a
prospective client. It doesn’t
matter if I tell her you are a man or
a woman, she’ll still think there is
a woman involved somehow. It is
insanity. It has been my life for the
past seven or eight years.
KILLER
Well,
why don’t you do like most people,
and just divorce her?
FRANK
I can’t.
She’s much younger than me and
really loves me. Every time I get near
the subject of divorce she breaks down
crying and I feel like a heel.
KILLER
So,
let me get this straight. You don’t
have the guts to divorce her. No wait,
I’ll restate that. You are too
sensitive to her
feelings
to divorce her, but you are willing to
bring her out here and have me shoot
her.
FRANK
Well,
... I don’t know. I haven’t
thought about it like that.
KILLER
(very
animated)
This
is too fuckin weird, just too fuckin
weird. First, an insurance salesman
finds me when every law enforcement
agency in the country can’t. Then,
he almost convinces me to buy some
insurance. And then, and then I find
out that his real mission is to use me
to bump off his fat, jealous
wife....You know, I ought to kill you,
Frank. I don’t think they’d hold
it against me in a court of law.
(pause, looks
out the window)
Well,
she’s almost here. A few minutes ago
I would have bet against it. I would
have bet she’d have a heart attack
by now. So, Frank, what are we gonna
do now?
FRANK
What do you
mean, we?
EXT - KILLER’S
COTTAGE - DAY
Angela is next
to the cottage. She holds on to the windowsill
and jumps up to look in the living room window.
INT - KILLER’S
COTTAGE KITCHEN - DAY
Killer sees
Angela’s head pop up outside the living room
window.
KILLER
Well,
Frank, she just saw that we aren’t
in the living room. You know, for a
fat girl she can really jump.
Uh,
she just checked out the dining room.
I didn’t see her, but I heard her
land. Did you?
Frank doesn’t
answer.
EXT - OUTSIDE
KILLER’S COTTAGE - DAY
Angela jumps up
and glances in the kitchen window, seeing Frank
sitting in a chair in just his underpants, and a
stranger standing in his underpants. Not
believing what she sees, she jumps up two more
times to glance in the kitchen. Angela then
turns and rests her back against the house. She
puts her hands over her face and starts to cry.
ANGELA
(talking to
herself)
It’s
true. It’s true. Oh, Frank, how long
have you been sick like this?
INT - KILLER’S
COTTAGE KITCHEN - DAY
KILLER
This
is pathetic, Frank. We can’t even
bring ourselves to face her when she
pops up to look in the window. I feel
guilty. I think we should have at
least waved.
FRANK
So,
what are you going to do?
KILLER
I don’t
know. I honestly don’t know. This is
all breaking new ground for me,
believe me.
Angela, sweaty,
her hairdo in shambles, walks slowly and
deliberately through back door into kitchen and
stands in front of Frank. It doesn’t dawn on
her that he is tied up.
ANGELA
So,...
it’s true.... It’s true, Frank.
... When they told me, I told them
they were totally wrong. Sure, I
remembered about your going to Fred’s
in your Ralph Lauren briefs, but I
still told them they were crazy. “I’m
his wife,” I told them, “I would
know these things.” And now this.
Are you going to deny it, or can you
for once, for once in our marriage,
tell me the truth?
Killer, a little
confused and holding the pistol behind his back,
feigns a cough to get Angela’s attention.
ANGELA
And
you. Another sicko. How many of you
are there? What, is the state full of
you guys?
KILLER
Nice
to meet you, Mrs. Lloyd. Frank was
just telling me what a wonderful woman
you are.
ANGELA
Oh
shut up, you twerp. I know why Frank
is here.
KILLER
“Twerp”
Gees, I haven’t been called that
since high school. .... Mrs. Lloyd,
your husband came out here to try and
sell me an insurance policy.
ANGELA
He
didn’t come out here to sell you
insurance.
KILLER
He didn’t?
ANGELA
No.
KILLER
You
know why he came out here?
ANGELA
Yes,
you moron. He came out here because he
wants to see your underpants. And
apparently, you want to see his
underpants. What, you both have the
same obsession? The same sick fetish?
KILLER
I
think I’m in the fuckin twilight
zone. What’s she talkin about,
Frank?
FRANK
I don’t
know. As usual, I don’t
have a
clue.
ANGELA
Even
now, Frank, you can’t admit the
truth. I guess you are incapable of
admitting the truth.
KILLER
Lady,
tell you what, I’ll tell you
the truth. The truth is that I am, by
profession, a contract killer, and
every cop in the fuckin state is
lookin for me. And your unlucky
husband, in his quest to make one more
insurance sale, has stumbled into the
wrong place at the wrong time. And so
have you.
The killer
sticks the pistol in her face.
You’re
not the most observant person in the
world, are you, Lady? Or did you think
that being tied up in a chair with his
clothes off is part
KILLER
(CONTINUED) of his sales pitch? “Hello,
Mr. and Mrs. So-and-so, I’m Frank
Lloyd and I’d like to talk to you
about insurance. But before I do,
would you mind if I take my clothes
off and you tie me to a kitchen chair?”
Is that what you thought?
Angela stares at
the killer with her mouth open.
Now,
sit in that chair and shut up.
Killer tapes
Angela’s hands behind her back and tapes her
ankles to the chair. He stands up, his hands on
his waist and looks at the two of them. An alarm
clock in the bedroom goes off. The killer looks
at his watch.
KILLER
Great.
We’ll talk later. Right now I’m
gonna watch Wheel Of Fortune.
FRANK
What?
KILLER
Wheel
of Fortune is on. It’s my favorite
show. Now, whether you like it or
not,... that is, whether you like the
show or not, keep your mouths shut for
the next thirty minutes. If you don’t,
I’ll have to gag you. And you won’t
like it ‘cause I don’t have any
clean socks. So, if I were you, I’d
keep my mouth shut. Comprende?
Angela and
Frank both shake their heads that they
understand. Killer turns on the television on
top of the refrigerator and sits down at the
kitchen table.
KILLER
You
know, a lot of people don’t like
this show, but if it wasn’t for
Wheel Of Fortune, half of America
wouldn’t know how to spell.... Well,
... if not for Wheel Of Fortune and
Sesame Street.
INT - WILLIAMS’
COTTAGE KITCHEN - DAY
Dobs enters
through the back door holding a sack.
DOROTHY
Did ya
find it?
DOBS
I found it.
FRED
You
think it will really work as a wet
suit?
DOBS
Sure,
why not? Anyway, it’s worth a try. I’m
going to go upstairs and take a shower
and then try to get into this thing.
Dobs leaves the
room.
INT - WILLIAM’S
COTTAGE LIVING ROOM - DAY
Dabney shows up
with Danny, two other priests, and two nuns.
Dabney calls out from front door.
DABNEY
Fred,
Dorothy, ya decent?
Fred and Dorothy
come in the living room as Dabney and Danny are
entering with guests.
DABNEY
Got
some guests I’d like you to meet.
Actually, I’ll let your brother do
the introductions.
FRED
Welcome, come on
in.
DOROTHY
Yes,
welcome everybody. Any friend of God’s
is a friend of ours.
DANNY
We’ll
ignore that one. Fred, Dorothy, I’d
like you to meet
DANNY
(CONTINUED) Father’s Ryan and
Murphy, and Sisters DiAngelo and
Rodriquez.
DOROTHY
Well,
hello again everybody. How about if we
go out on the back porch, there’s a
good view of the lake, and I’ve got
some refreshments on the table.
INT - WILLIAM’S
COTTAGE PORCH - DAY
Dabney, Danny,
the two priests and two sisters, Fred and
Dorothy are sitting at the picnic table on the
porch drinking iced tea and listening to Dabney.
DABNEY
What I
want to talk about with you kind
people, what I want to discuss with
you, are some thoughts I’ve had
about some of the problems you face in
your work, and how what I do for a
living might be of assistance. And you
can relax, this has nothing to do with
my selling you any of our financial
products. I’m not that crass a
person
The priests and
the nuns shake their heads in agreement.
INT - KILLER’S
COTTAGE KITCHEN - DAY
Killer turns off
the television.
KILLER
You
know, you two really ought to try and
get along better, to work things out.
I can tell that you two basically love
each other.
FRANK
Let’s
cut the crap. Why drag this out? Just
shoot me and get it over with.
ANGELA
Love.
Hah! He doesn’t know what love is.
And you wouldn’t believe the things
he says to me. No one who loved
another person could say some of the
things he says.
KILLER
Really? Like
what?
ANGELA
Well,
for one, he said that my father is a
shitty bowler. He said that the
bowling team from
the
meatpacking plant would only let my
father bowl if someone didn’t show.
Frank said that my father stinks as a
bowler.
KILLER
Really,
I can’t imagine Frank saying
something like that. Did you really
say that, Frank?
FRANK
Her
father is the worst bowler in the
state.
ANGELA
See?
KILLER
You
know, in some countries impugning your
in-laws’ bowling ability is grounds
for divorce.
ANGELA
You
hear that Frank? “Grounds for
divorce.”
FRANK
(shaking
his head in resignation)
Just shoot me.
KILLER
By the
way, I have a bowling average of 246.
ANGELA
He
just says those things to hurt me. It
doesn’t matter if they are
true
or not. He just wants to hurt me and I
don’t know why.
KILLER
Ahem...246,...that’s
my average.
FRANK
Angela,
why is it that you never hesitate to
disagree with me, to contradict me,
and that is all right. But, if I
disagree with you, if I express and
honest and sincere opinion that you
don’t
agree
with, that means that I don’t love
you. Do you know how tiresome that is?
KILLER
I’ll
bet that in your whole life, the both
of you, you haven’t met ten guys
with a bowling average better than
246. Hell, you may never have met
anyone, anyone besides me, with a
bowling average as high as 246.
ANGELA
When I
disagree with you, it is simply
because you are wrong. I still love
you, you know that. It is just that
you’re wrong.
FRANK
And
apparently I’m always wrong.
KILLER
All
right, forget about the bowling
average. Look, gimme an example of
what you two are talking about.
FRANK
All
right, all right. Tell me, what do you
think about Jerry Lewis?
KILLER
I
think he’s great. I like all the
films he’s been in. Even the
serious
ones, like “King of Comedy.”
ANGELA
See, Frank?
FRANK
No,
no. That’s not what I mean. I like
his films, too. But, would you say
that he is THE comic genius of
the century?
KILLER
Yeah,...
yeah, I would. This is one time that I
agree with the French.
FRANK
This
really is the Twilight Zone.
ANGELA
You
see, Frank? You see? You’re wrong.
FRANK
Please,
SOMEBODY shoot me.
KILLER
What,
you don’t think Jerry is the comic
genius of the century, Frank?
FRANK
Look,
if you have a shred of decency in you,
a shred, you’ll shoot me and put me
out of this misery once and for all.
KILLER
Frank,
are you counting on decency from a man
who has killed so many people that he
lost count? Does this make sense?
FRANK
I don’t
care. I believe that every person,
every man, no matter how vile, no
matter how cruel or
FRANK
(CONTINUED) despicable, has, down
deep, some degree of decency, some
moral
fiber.
I’m begging you to find that shred,
that morsel, of decency, and shoot me.
Look, I probably deserve it anyway.
KILLER
Nope, can’t do
it.
FRANK
(getting
extremely angry)
There
is that can’t word again. You
can, you just won’t to. Well,
so help me, if I get loose, you
sonofabitch, I’m gonna kill you, you
bastard. I mean it, I’ll kill you.
KILLER
Interesting.
Am I now supposed to get so mad,
because you are threatening to kill me
because I won’t kill you, that I
kill you? Is this a trick?
ANGELA
He’s
clever like that. You can’t trust
him.
KILLER
Has he
always been like this?
ANGELA
No. It
really just started with the
underpants fetish four or five months
ago.
KILLER
Underpants
fetish? Frank has an underpants
fetish?
ANGELA
Yeah,
you both have it.
KILLER
I don’t
have an underpants fetish.
ANGELA
I see.
I understand. And you’re a liar just
like Frank. You can’t admit the
truth, either.
KILLER
Look,
I don’t have an underpants fetish,
Lady. I know what my fetishes are, and
underpants isn’t on the list.
ANGELA
Then
why are you wearing those underpants?
KILLER
What do you
mean?
ANGELA
You’re
a grown man and you are wearing
underpants with pictures of Superman
on them?
FRANK
See?
Now she’s a fashion critic.
KILLER
Not
that it’s your business, but because
of my size, no comments please, I’m
able to buy my underwear in the boys
department at K-Mart, where they’re
cheaper. That’s why, Miss Fuckin-Know-it-all,
I have Superman underpants,
ANGELA
Right.
Right. And what else do you look for
in the boys department?
KILLER
And
what is that supposed to mean? What
are you trying to say?
ANGELA
You
know what I’m saying. You’re not
fooling me.
KILLER
I
think I’ve had enough of you people
for awhile. I think it is
KILLER
(CONTINUED) time to put you both in
the Polish penthouse.
ANGELA
What’s
your friend talking about, Frank?
KILLER
We’re
going in the basement.
ANGELA
And
suppose I don’t want to go in the
basement?
KILLER
Then I’m
gonna shoot ya, Lady.
FRANK
Let’s
just go down in the basement, Angela.
While Angela and
Frank are talking, the killer goes over to the
closet and takes out an M-16 automatic rifle.
ANGELA
He
doesn’t fool me. He’s not going to
shoot anybody. He’s just an insecure
little man standing there in his
Superman underpants holding a big gun.
He doesn’t have the guts to shoot
anybody.
FRANK
For
Christ’s sake, Angela, they told you
on the news that the guy is wanted for
a bunch of murders.
They
told us he was extremely dangerous.
ANGELA
The
news. What, do you believe everything
you hear on the news? You’re so
naive, Frank.
FRANK
(Talking to
Killer)
You
see? Everyone else is wrong. Only
Angela is right.
KILLER
Let me
get this straight, Lady. The news
tells you that I’m wanted by the FBI
and every other law outfit for
multiple murders. You see I’m hiding
out here and that I have a small
arsenal. But you decide that because I’m
a little short and wearing Superman
briefs,
that I
don’t have the guts to kill anybody?
ANGELA
You
may have fooled the others, but not
me.
FRANK
(Talking to
Killer)
You
see? You see? You get an idea what my
life has been like?
KILLER
Yeah.
Wow. Sorry, Buddy, I really am….
Whelp, all right, I’ve had enough
for now, I really have. I’m going to
cut the ankle tape on both of you, and
then you are going in the basement. If
you don’t want to go, fine. You’ll
be dead. And don’t get any crazy
ideas, this M-16 can turn both of you
into coleslaw in two seconds.
Killer gets a
knife and cuts the ankle tapes, first on Frank,
and then on Angela. Killer does not see that
because Angela has been so sweaty the tape
holding her wrists has come loose. The killer
moves to the other side of the table, the open
door to the basement is on his left and Frank
and Angela are on the other side of the table
opposite him. The killer points towards the
basement with the M-16.
KILLER
OK,
Slim, first you, then Frank.
Angela rushes
the table, hitting it with all her weight, and
drives it against Killer, knocking him down. The
gun goes off, firing several bullets into the
basement. Angela’s hands slips loose from the
tape. Killer tries to get up, she rushes the
table again and drives it against his chest,
knocking him down. She grabs the hunting rifle
next to the stove and points it at the killer.
ANGELA
All
right, Superman, get up.
Frank is
standing by the back door, his hands still
taped behind his back, his mouth open in
disbelief. Killer, holding his bruised chest,
stands next to Frank.
ANGELA
Yeah,
“Buddy.” I know. You two are fast
friends, aren’t you, Frank? I ought
to shoot the both of you, you
perverts.
The gun goes off
by accident, hitting the lock on the back screen
door. The door flies open and then closed, but
can’t latch because Angela has shot the lock
off. Frank and the killer look at each other,
and both turn and run out the door. Angela,
momentarily startled, tries to reload the gun.
She runs out the door after them.
EXT - KILLER’S
COTTAGE BACK YARD - DAY
The killer and
Frank reach the end of the grassy area in the
back and are about to enter a trail running down
to the lake. Angela comes out on the back stairs
and fires a shot that hits the ground a couple
of feet to Frank’s left.
Angela goes down
the stairs and runs about ten steps and stops.
She loads another cartridge into the chamber,
takes aim at the two men running down the trail,
and fires. She shoots a branch off a tree above
Frank’s head.
INT - WILLIAMS’
COTTAGE PORCH - DAY
Dabney
So
this is the thing I have been
wondering about. Is there the
possibility for the great leaps
forward we have made in technology,
that we’ve been talking about today,
to be of assistance to you people in
your endeavors to help the strife
ridden, the depressed?
PRIEST
NO. 2
You
mean, for us to learn how to use
notebook computers?
DABNEY
Well, no.
SISTER
NO. 1
Do you
mean for us to teach our parishioners
how to use notebook computers?
DABNEY
Well, no.
SISTER
NO. 1
You
mean for us to have mobile phones so
we can respond more quickly to crisis
situations?
DABNEY
Well,
no, not exactly, but that’s a good
idea.
PRIEST
NO. 2
I
think he’s talking about the
Internet.
SISTER
NO. 2
I’m
embarrassed to say that I still don’t
know how the Internet works. I’m
interested, and all, it’s just that
I’ve heard that most of the stuff on
the Internet is,… you know, sexually
oriented.
SISTER
NO. 1
Really?
PRIEST
NO. 2
Is
that what you are talking about Mr.
Armstrong? About the Internet?
DABNEY
(laughing
to hide frustration)
No,
no, you people are jumping ahead of
me. I’m not talking about something
as advanced as the Internet.
DOROTHY
You
know, it really is offensive the way
sex, in our society, has left the
bedroom of married loving couples,
where it belongs, and has become a
source of amusement and entertainment
for so many people, you know, right
out in the open.
SISTER
NO.2
Yes, I know.
INT - WILLIAMS’
COTTAGE BEDROOM - DAY
Dobs is in
bedroom putting on the rubber suit.
INT - WILLIAMS’
COTTAGE LIVING ROOM - DAY
Dobs comes
downstairs in rubber suit, unaware there are
guests. He walks around the living room,
apparently looking for something and unaware
that the people on the porch are staring at him
from the porch. Everyone’s attention is drawn
to the sleeve protruding in front of him. He
snaps his fingers, turns and leaves the living
room. No one on the porch says anything about
the man in the rubber suit.
Just then some
shots are heard in the distance.
SISTER
NO.1
What was that?
FRED
Probably
some hunters. They aren’t supposed
to be this close to the lake.
DANNY
Yeah,
but that sounded like an automatic
rifle. You’re not supposed to hunt
with automatic rifles.
Fred
You’re
right. That is really a no-no. We
ought to tell Dobs and have him send
somebody out here.
SISTER
NO. 2
Dobs?
FRED
Yes,
Dobs is our brother who is a police
officer with the Willis Falls police
department.
SISTER
NO. 1
Well,
do you think you should call him?
Those shots sounded awfully close.
FRED
(talking
in a sheepish fashion)
Well,
we don’t have to call him,.. that
was him you just saw in the living
room.
SISTER
NO. 1
Oh.
Dobs walks onto
porch, still unaware there are guests in the
house. He suddenly realizes people are there.
DOBS
Oh! I
didn’t realize we have company.
Hello.
Dabney holds his
head in his hands.
DANNY
Everyone,
this is my other brother, Dobs.
The guests say
hello, and everyone’s gaze is fixed on the
sleeve protruding from the rubber suit. Dobs
realizes everyone is staring at the sleeve, and,
trying to be nonchalant about it, swings the air
tanks in front of him to cover the sleeve.
DOBS
Well,
I don’t mean to be antisocial, but I’m
gonna do a little diving in the lake.
Dobs walks
around the table and out the screen door at the
other end of the porch. Everyone just sits there
and watches him walk over to the lake, which is
about forty yards away.
DABNEY
Well,
to continue with what we were talking
about. What I was wondering is if it
might make sense to try a little test
program, a pilot program we might call
it, to see if financial counsellors
could have a real
impact,
a positive impact, on helping some of
these strife-ridden families get
control of their lives and become the
healthy, nurturing family units that
god intended?
PRIEST
NO. 1
Sounds
like a good idea.
DABNEY
But
you see, I, the financial counsellor,
I’m an outsider; I don’t know
which are the families that really
need help. You people, on the other
hand, are the insiders, you are aware
of which poor souls in your flock need
help.
PRIEST
NO. 2
And
what you are suggesting is that we
help you, the financial counsellor,
identify some of these families in
conflict?
DABNEY
Exactly.
But only on a very small, trial basis.
Maybe you can each identify one or two
hundred families in your parish.
SISTER
NO. 2
And
would you, Mr. Armstrong, would you be
the one who would actually make
contact with these designated
families.
DABNEY
Well,
no. At first, I thought I would, but I
have come to the conclusion that that
would not be a good idea. The people
in this part of the country are
down-to-
DABNEY
(CONTINUED) earth, hard-working souls,
the backbone of America in many ways.
They aren’t fancy or pretentious.
But, when they see a really good-
looking man like myself, with a new
Mercedes, an expensive Italian suit,
and a Rolex watch, they feel a little
uncomfortable, a little intimidated.
You know what I mean. It’s only
natural. And it makes some of them
just painfully aware of how little
they’ve accomplished in their lives.
They all shake
their head in agreement.
No, it
is my intention to use one of our
local counsellors, a man who couldn’t
intimidate anyone. He is a man who has
been working with us for only a short
time, but he is already one of the
most successful counsellors we have
in.
PRIEST
NO. 2
Who is this man?
DABNEY
His
name is Frank Lloyd.
Danny is
surprised and starts to talk before he thinks.
DANNY
You
mean the underpants guy?
Dorothy, Fred,
and Dabney all glare at Danny.
SISTER
NO. 1
(looking
at Sister No. 2)
The underpants
guy?
DABNEY
Yes,
Sister, a very unfortunate label that
was attached to the man by some
thoughtless, callus, insensitive
clods, in an attempt to be funny. They
almost ruined the reputation of a
hardworking,
DABNEY
(CONTINUED) well-educated, devoted
family man and an upstanding member of
the Willis Falls community for over
fifteen years.
Another shot is
heard. Killer and Frank, arms still taped behind
him, run through the Williams’ back yard, the
killer fifteen feet ahead of Frank. They pass
ten feet in back of Dobs, who is standing at the
edge of the lake, wearing his diving mask, and
looking off into the distance, never hearing the
gunfire or seeing the men running behind him.
Everyone on the porch, their attention drawn to
the direction of the shot they heard, watches as
Frank and the Killer run through the yard in
just their underpants. No one makes a comment
about what they just saw.
PRIEST
NO.1
Well,
what does this Mr. Lloyd look like?
DABNEY
He is
a tall, very good-looking black man,
about forty years old.
Everyone sits in
silence looking out at the lake. Dobs,
disappears under water, only to come back up in
about ten seconds. He walks back to where it is
shallow, and, without thinking that he is in
full view of everyone on the porch, ties the
sleeve in a knot. Sister No. 2 faints at the
table.
EXT - BEHIND
WOOD PILE - DAY
Frank and the
killer have stopped to rest behind a woodpile.
They are breathing hard as they talk.
KILLER
Is she
still following us?
FRANK
I don’t see
her.
KILLER
Well,
if she has any brains, she’ll go
back to the house because we have to
go back there eventually.
FRANK
What
if she calls the cops?
KILLER
Can’t,
the phone isn’t turned on.
They don’t
talk for a few seconds, trying to catch their
breath. The killer undoes the tape on Frank’s
wrists.
KILLER
Did
you see that guy in the scuba gear?
That was the strangest wet suit I’ve
ever seen.
FRANK
I’m
pretty sure that was Officer Dobs
Williams of the Willis Falls police
department. Damn, the last thing we
need at this point is for one of
Willis-Falls finest to catch you.
KILLER
The
only thing that guy could catch is his
dick in his zipper.
FRANK
You’re
probably right.
KILLER
Listen,
Frank, we have to get back to the
house before she leaves. She’ll
probably calm down in a few minutes. I
doubt she’s a determined killer. I
think it was just her explosive
temper.
FRANK
I hope
so, otherwise we’re dead. Listen,
let’s circle around out to the road,
and we’ll walk back to the house.
That way, if she gets in the car and
leaves, we can intercept her on the
road.
KILLER
Perfect.
If she doesn’t shoot us she can run
us down with the car.
FRANK
Well,
you got a better idea?
EXT - WALKING UP
ROAD - DAY
KILLER
Frank,
I’ve been thinking about our
situation, and you’re not
going
to like what I’ve concluded.
FRANK
Oh?
KILLER
Listen,
maybe the only way out of this is if
we admit that you have an underpants
problem, a little fetish.
FRANK
But I
don’t. It’s a pile of baloney. I
don’t have any fetishes.
KILLER
I
know, I know, but hear me out on this.
Let’s go back and try and reason
with her. We say that you have
developed an underpants fetish because
her senseless jealousy over other
women, her constant suspicions about
you and other women, have driven you a
little crazy. It has created
tremendous stress in your marriage. I’ll
point out that men who have an
underpants fetish for other men’s
underpants are rarely, if ever, having
affairs with other women. I point out
that the two things just aren’t
compatible.
You
then agree with me. You say that your
wife’s senseless jealousy has driven
you to develop this insane desire,
about which you are very ashamed,
deeply ashamed.
Then,
I say, that I know you two love each
other, and that if you get some
counselling together, you can probably
conquer both her
KILLER
(CONTINUED) jealousy problem and your
underpants thing.
FRANK
Gees, I don’t
know.
KILLER
Well,
you have any better ideas?
FRANK
You
could shoot her, like you should have
done in the first place.
KILLER
I’m
not going to do that. Besides, if
there is any shooting, it’s probably
you and me who get shot.
(long pause)
Listen,
Frank, I’m going to ask you the most
important question of the day? Do you
think you love your wife? Do you
still, deep down, love her?
FRANK
It’s
not so easy to answer that.
KILLER
I know.
FRANK
(long
pause)
But
the answer is, I guess, yes, if she
would lose a little weight, like ten
or eighty pounds, and get rid of this
insecure jealousy thing.
KILLER
Then
it’s settled. All you have to do is
tell her you love her, but that her
craziness has made you crazy too. I’ll
suggest you both get professional
help.
INT - KILLER’S
COTTAGE KITCHEN - DAY
Angela is
sitting at the kitchen table with the killer’s
pistol on the table in front of her. She has
obviously been crying. Frank and the killer walk
up the back stairs, and timidly come in the
kitchen and sit at the table.
ANGELA
I’ve
hidden the other guns.
FRANK
Angela,
Honey, forget about the other guns. We
have to talk.
ANGELA
About
what? Our marriage is over. My life is
over.
FRANK
Don’t
talk like that, Pumpkin. Don’t talk
like that. Listen, me and Mortimer
have been talking.
ANGELA
Mortimer?
FRANK
Yeah,
Mortimer. He’s pointed out some
things that I didn’t realize before.
Maybe you are right, Sweety, right
about a lot of things. Maybe it is
time we had an honest discussion.
ANGELA
(long
pause)
Well, I’m
listening.
FRANK
I
probably haven’t wanted to admit
about this underpants thing, even to
myself. I can’t even say for sure
when it started. But I’ve decided
several things about it. First, it can
probably be cured. Second, it came on
because your constant, baseless
jealousy has been driving me further
and further into koo-koo land. And
FRANK
(CONTINUED) third, it ought to be
proof to you that there are no other
women in my life.
KILLER
That’s
right, Mrs. Lloyd. Think about it.
Would a man who is interested in
having sex with other women be
spending his time pretending to sell
insurance in order to see other men’s
underpants? Does that make sense?
ANGELA
Well,... maybe
not.
KILLER
And
let me ask you this, Mrs. Lloyd. In
all the years you two have been
married, have you ever caught Frank
with another woman?
ANGELA
Well, ...no.
KILLER
And
has anyone ever told you that Frank
was having an affair with another
woman?
ANGELA
Well,... no.
KILLER
And
has he ever slipped and called you by
another woman’s’ name.
ANGELA
Well,... no.
KILLER
You
must admit, then, that you don’t
really have grounds for not trusting
Frank with other women. ...So, it
seems to me that two people who
basically love each other have almost
come to the point of killing each
other over
KILLER
(CONTINUED) problems that are easy to
solve with a little professional help.
(long beat)
Angela.
When we were hiding from you in a
woodpile further down by the lake, I
asked Frank if he thought he still
loved you. I said it was the most
important question in his life at that
moment. And you know what his answer
was?
ANGELA
No, what?
KILLER
He
said he couldn’t stand you and he
hoped you choke. No, no, only kidding.
Sorry, I couldn’t resist. No, when I
asked him that question, he said he
really loved you and wanted to be with
you, if only you can control this
crazy jealousy thing…So the question
is - do you love Frank. If you do,
then you can both get some
professional help, and Frank can get
his disgusting, depraved underpants
thing under control, and you can get
this jealousy thing under control, and
it will be like starting your whole
marriage all over again. Wouldn’t
you like that? Wouldn’t you like to
feel the way you did when you first
got married?
ANGELA
Yeah.
I’d like things to be like they were
in the beginning.
KILLER
Then
all you two have to do is agree to
confront your problems and you are
more than half way there. And listen,
I am sensitive to this because you two
have something I don’t have. It
KILLER
(CONTINUED) is the one thing in life
that I truly regret not having. You
have a partner, a loved one who will
go through life with you, with whom
you’ll have both good times and bad.
That may sound corny, but when you don’t
have it, you’ll miss it, believe me.
FRANK
(long beat)
So
what do you think, Honey? Shall we
give it a try?
ANGELA
OK,
Frank, let’s try. After all, things
can’t get any worse.
FRANK
You’re
right, they can only get better.
KILLER
And I’ll
tell you what.
ANGELA
What?
KILLER
Since
this’ll be almost like a new
marriage, I’m gonna give you two a
fuckin wedding present.
ANGELA
Really? What?
FRANK
Oh,
you don’t have to do that, Mort.
KILLER
I’m
going to give you two the money to
take one of those package tours to see
Paris.
EXT - ON STREET
- DAY
Everyone is
dressed and standing next to the Peugeot. The
killer pulls an envelope out of his back pocket.
KILLER
Here
you go, Frank. It’s five thousand
dollars. That should be enough for you
and Angela to see Paris for a week or
so and to have a good time.
FRANK
Oh,
Mort, you really don’t have to do
this.
ANGELA
Frank,
the man wants to do this. Don’t be
such a fuddy-duddy.
FRANK
You
heard the wife. Well, I want to wish
you luck. Don’t you think you ought
to get out of here soon, Mort?
KILLER
Nah.
No rush. If the cops were going to
come, they would have been here by
now. I’ll probably stay here for
another couple of weeks, and then move
on. Except for you two, this place has
been incredibly boring, painfully
boring.
FRANK
Well,
best of luck, Mort. You have our phone
number if you need something.
Frank and
Mortimer shake hands. Angela and Mortimer give
each other an awkward kiss. The Lloyds get in
their car, which won’t start.
FRANK
Mort,
I’m going to let her coast a little
and then try a jump start.
KILLER
Good luck.
The car roles
down the hill about sixty feet and Frank jump
starts the engine. Killer waves goodbye and
Frank and Angela are both waving goodbye out the
window.
THE
END
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